the common town and table-talk for some time, kept up by the grub-street
wits that made many a hearty meal upon it, ('till something more in
season threw it out of the bill of fare.) It is manifest, this truffing
beginning put an end to Pope's friendship for Cibber if he realy had
any; and the continuance of his enmity, for near thirty years, is no
mark of humanity. It is accounted unmanly and mean, to give a person
repeated strokes, when he has not spirit enough to resent the first; and
yet that excellent poet, had so much bitterness in his sweet wit, (if we
may be allowed to say so,) that to many it palls the taste. The reader
in this supplement, will not find Cibber's name once mentioned: The
reason is apparent; he had not done any thing to provoke; but since the
year of the three Hours after Marriage, (1717) he has a dart at him in
almost every thing he publishes--In his epistle to doctor Arbuthnot he
plainly says--(mentioning a play he was desired to recommend to the
stage)
There (thank my stars) my whole commission ends,
Cibber and I, are luckily no friends.
And yet it is well known, Mr. Cibber never made the least return, till
his letter to Pope 1742, and then, he declar'd to many of his friends,
he did it, because he had no other business on his hands, and that he
might not be forgot before he was dead. Of all the foibles Mr. Cibber
might be guilty of, those that are conversant with him, know malice,
envy or slander, are not in the composition.
When a person informed him, Pope was no more; he seem'd much concern'd,
and reply'd, I am griev'd for the loss of so great a man; I was never
his enemy, and for those spots he seem'd to dash on me, his admirable
wit made me overlook them all--and I am convinced, he sometimes wrote
against the sentiments of his heart. Nay we are informed, Pope was heard
to say in his last sickness--
"My satires against Cibber, are not my last repented faults."
But we are not willing to part with this Three Hours after Marriage,
without relating an odd accident, that happened the 4th night of that
play; it may be called a scene of distress, in a pantomime that befell
an unlucky lover; for it was all in dumb show: We are sure, it created
more vociferous mirth in the spectators, than any other passage of wit
or satire; and the enemies to the Triumvir, declared it was the best
thing in the whole piece. Had Hogarth been present (as he might have
been) his inimitable pencil would, have stronger ideas, of the comic
distress, than any description can do: But, perhaps, contemplating the
scene may strengthen the readers imagination.
Public-domain text, read in full here on John Shaqi.
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