Three Lancashire Plays: The Game; The Northerners; ZackBrighouse, Harold
General
Three Lancashire Plays: The Game; The Northerners; Zack
Brighouse, Harold
English drama -- 20th century; Lancashire (England) -- Drama; Political plays
THREE LANCASHIRE PLAYS
The Game; The Northerners; Zack
By Harold Brighouse
London: Samuel French, Ltd. Publishers
1920
[Illustration: 0007]
PREFACE
|In another age than ours play-books were a favourite, if not the only,
form of light reading, and the novel, now almost universally preferred,
is the development of the last century. But a writer of plays should be
the last person in the world to resent the novelist's victory, for plays
are written to be acted, and reach a full completeness only by means of
the collaboration of author with producer, scene-painter, actors and,
finally and essentially, audience. The author's script bears to the
completed play a relationship similar to that of an architect's plan to
a completed building.
Architect's plans, however, are not unintelligible to the layman,
especially to the layman who is not devoid of imagination, the layman
who is ready to spend a trifling mental effort and to become, be it ever
so little, expert. And so with printed plays, those ground-plans of
the drama. There must have been in the eighteenth century, a larger
percentage of the reading public than obtains to-day that was expert in
reading plays; plays were thought--you can find ample proof of it in
the Diarists--easier reading than the novels of Fielding, Richardson and
Smollett. Perhaps the comparative brevity of a play was, even in those
unhurried days, a point in its favour; certainly the play-reading habit
was strong and one likes to think that it is not lost. To read dully
the script of a spectacular play is desolating weariness, but the same
script read with sympathetic imagination becomes the key to fairyland,
and from an armchair one sees more marvels than ever stagecraft could
present. There are abominable limitations on the stage; producers are
tedious pedants; but the reader mentally producing a play from the book
in his hand looks through a magic casement at what he gloriously will
instead of through a proscenium arch at the handiwork of a merely human
producer. Play-reading, in fact, obeys the law that as a man sows so
shall he reap; a little trouble, rapidly eased by practice, leads one to
a great deal of pleasure.
Public-domain text, read in full here on John Shaqi.
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