Three Lancashire Plays: The Game; The Northerners; ZackBrighouse, Harold
General
Three Lancashire Plays: The Game; The Northerners; Zack
Brighouse, Harold
English drama -- 20th century; Lancashire (England) -- Drama; Political plays
Local drama is too important to be left so specially in the hands of
Miss Horniman and the "Manchester School." It is important for the
localities and important, too, for London; London is quite as ready to
be interested in good plays about people in Aberdeen or Halifax as in
plays about people in New York, but the New York author lives in a
city where plays are produced and the Aberdeen author does not. The
stimulation of local drama is possible only where a local producing
theatre exists; the education of a dramatist is unfinished until he
has heard his lines spoken and watched his puppets move. Drama in the
capitals is standardized to some half-dozen patterns which alter slowly
and, failing the local producing theatre, what is the provincial author
to do but to suppress his originality and to write plays, in hopes of
London production, as near as he can make them to one of the approved
current designs? It is said that were it not for the continued
influx from the provinces, London would die out in three--or is it
two?--generations; and if that is true of life, it is true also of
drama, and the plain duty of those who control British Drama, the
Napoleons of the theatre, is to dig channels whereby healthy provincial
blood may flow to London to revitalize its Drama.
This, which means that Sir Alfred Butt ought to seek out a number of
intelligent producers and endow them in provincial Repertory theatres to
work without interference from above, but always with the vigilant eye
for that byproduct of a rightly inspired Repertory, local drama, is a
simple matter of commercial self-interest, on a par with the action of
the magnates of scientific trade who endow research not out of love
of science, but in the expectation that they will be able some day to
exploit profitably the resulting discoveries. So might Sir Alfred Butt
exploit local authors discovered by the producers of his far-flung
Repertories. The theatre is either a business or a gamble, and in the
hands of men like Sir Alfred Butt it looks less like a gamble every day.
Enlightened business self-interest would look a little to the future, to
the fostering of authorship in provincial towns, to the establishment of
many Repertories.
Public-domain text, read in full here on John Shaqi.
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