To Anna alone there in the carriage, drawing always nearer to the struggle with her mistress, the warmth, the slowness, the jolting over stones, the steaming from the horses, the cries of men and animals and birds, and the new life all round about were simply maddening. "Baby! if you don't lie still, I think I kill you. I can't stand it any more like this." At this time Anna, about twenty-seven years of age, was not yet all thin and worn. The sharp bony edges and corners of her head and face were still rounded out with flesh, but already the temper and the humor showed sharply in her clean blue eyes, and the thinning was begun about the lower jaw, that was so often strained with the upward pressure of resolve. To-day, alone there in the carriage, she was all stiff and yet all trembling with the sore effort of decision and revolt. As the carriage turned into the Wadsmith gate, little Jane ran out to see. She just looked at Anna's face; she did not say a word about blue dressings. Anna got down from the carriage with little Baby in her arms. She took out all the goods that she had brought and the carriage drove away. Anna left everything on the porch, and went in to where Miss Mary Wadsmith was sitting by the fire. Miss Mary was sitting in a large armchair by the fire. All the nooks and crannies of the chair were filled full of her soft and spreading body. She was dressed in a black satin morning gown, the sleeves, great monster things, were heavy with the mass of her soft flesh. She sat there always, large, helpless, gentle. She had a fair, soft, regular, good-looking face, with pleasant, empty, grey-blue eyes, and heavy sleepy lids. Behind Miss Mary was the little Jane, nervous and jerky with excitement as she saw Anna come into the room. "Miss Mary," Anna began. She had stopped just within the door, her body and her face stiff with repression, her teeth closed hard and the white lights flashing sharply in the pale, clean blue of her eyes. Her bearing was full of the strange coquetry of anger and of fear, the stiffness, the bridling, the suggestive movement underneath the rigidness of forced control, all the queer ways the passions have to show themselves all one. "Miss Mary," the words came slowly with thick utterance and with jerks, but always firm and strong. "Miss Mary, I can't stand it any more like this. When you tell me anything to do, I do it. I do everything I can and you know I work myself sick for you. The blue dressings in your room makes too much work to have for summer. Miss Jane don't know what work is. If you want to do things like that I go away." Anna stopped still. Her words had not the strength of meaning they were meant to have, but the power in the mood of Anna's soul frightened and awed Miss Mary through and through.