Cousins -- Juvenile fiction; Young women -- Juvenile fiction
Still Margaret persevered, never losing hope, simply because she could
not believe that the subject itself could fail to interest any one in
his senses. It was her own fault a good deal, she tried to think; she
did not tell the story right, or her voice was too monotonous,--Papa was
always telling her to put more colour into her reading,--or something.
The history itself could not be at fault.
"And, Peggy dear; don't think I want to be lecturing you all the time,
but--these are things that one _has_ to know something about, or one
will appear uneducated, and you don't want to do that."
"I don't care. I don't see the use of this kind of education, Margaret,
and that is just the truth. Ma never had any of what you call
education,--she was a farmer's daughter, you know, and had always lived
on the prairie,--and she has always got on well enough. Hugh talks just
like you do--"
"Please, dear, _as_ you do, not _like_."
"Well, _as_ you do, then. He talks William the Conqueror and all those
old fuddy-duddies by the yard, but he can't make me see the use of
them, and you can't. Now if you would give me some mathematics; _that_
is what I want. If you would give me some solid geometry, Margaret!"
But here poor Margaret hung her head and blushed, and confessed that she
had no solid geometry to give. Her geometry had been fluid, or rather,
vapourous, and had floated away, unthought of and unregretted.
"I am sorry and ashamed," she said. "Of course I ought to be able to
teach it, and if I go into a school, of course I shall have to study
again and make it up, so that I can. But it never can be possible that
triangles should be as interesting as human beings, Peggy."
"A great deal more interesting," Peggy maintained, "when the human
beings are dead and buried hundreds of years."
"One word more, and I have done," said poor Margaret. "You used an
expression, dear,--old fuddy-duddies, was it? I never heard it before.
Do you think it is an elegant expression, Peggy dear?"
"It's as good as I am girl!" said Peggy; and Margaret shut her eyes, and
felt despair in her heart. But soon she felt a warm kiss on her
forehead, and Peggy was promising to be good, and to try harder, and
even to do her best to learn the difference between the two
Harolds,--Hardrada and Godwinsson.
And if she would promise to do that, might she just climb up now and see
what that nest was, out on the fork there?
Perhaps Rita would come down soon, with her guitar or her
embroidery-frame; and they would sing and chatter till the early dinner.
Rita's songs were all of love and war, boleros and bull-fights. She sang
them with flashing ardour, and the other girls heard with breathless
delight, watching the play of colour and feeling, that made her face a
living transcript of what she sang. But when she was tired, she would
hand the guitar to Margaret, and beg her to sing "something cool,
peaceful, sea-green, like yourself, Marguerite!"
"Am I sea-green?" asked Margaret.
Public-domain text, read in full here on John Shaqi.
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