Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
EVERYONE AT ONCE. Died? She is dead? What do you mean? Oh,
really? Four years ago? Why! Why!
PONZA. Four years ago! In fact it was the death of the poor
girl that drove her mad.
SIRELLI. Are we to understand that the wife with whom you
are now living....
PONZA. Exactly! She is my second wife. I married her two
years ago.
AMALIA. And Signora Frola believes that her daughter is
still living, that she is your wife still?
PONZA. Perhaps it was best for her that way. She was in
charge of a nurse in her own room, you see. Well, when she
chanced to see me passing by inadvertence on her street one
day, with this woman, my second wife, she suddenly began to
laugh and cry and tremble all over in an extreme of
happiness. She was sure her daughter, whom she had believed
dead, was alive and well; and from a condition of desperate
despondency which was the first form of her mental
disturbance, she entered on a second obsession, believing
steadily that her daughter was not dead at all; but that I,
the poor girl's husband, am so completely in love with her
that I want her wholly for myself and will not allow anyone
to approach her. She became otherwise quite well, you might
say. Her nervousness disappeared. Her physical condition
improved, and her powers of reasoning returned quite clear.
Judge for yourself, ladies and gentlemen! You have seen her
and talked with her. You would never suspect in the world
that she is crazy.
AMALIA. Never in the world! Never!
SIGNORA SIRELLI. And the poor woman says she is so happy, so
happy!
PONZA. That is what she says to everybody; and for that
matter she really has a wealth of affection and gratitude
for me; because, as you may well suppose, I do my very best,
in spite of the sacrifices entailed, to keep up this
beneficial illusion in her. The sacrifices you can readily
understand. In the first place I have to maintain two homes
on my small salary. Then it is very hard on my wife, isn't
it? But she, poor thing, does the very best she can to help
me out! She comes to the window when the old lady appears.
She talks to her from the balcony. She writes letters to
her. But you people will understand that there are limits to
what I can ask of my poor wife. Signora Frola, meanwhile,
lives practically in confinement. We have to keep a pretty
close watch on her. We have to lock her up, virtually.
Otherwise, some fine day she would be walking right into my
house. She is of a gentle, placid disposition fortunately;
but you understand that my wife, good as she is, could never
bring herself to accepting caresses intended for another
woman, a dead woman! That would be a torment beyond
conception.
AMALIA. Oh, of course! Poor woman! Just imagine!
Public-domain text, read in full here on John Shaqi.
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