Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
VOICES. Oh! Oh! Look! There she is! Oh! Oh!
SIGNORA FROLA (_noticing the change in people, and groaning,
all of a tremble_). What's the matter? What's the matter?
(_The company divides to either hand. A lady has appeared at
the door in back. She is dressed in deep mourning and her
face is concealed with a thick, black, impenetrable veil_).
SIGNORA FROLA (_uttering a piercing shriek of joy_). Oh,
Lena! Lena! Lena! Lena!
(_She dashes forward and throws her arms about the veiled
woman with the passionate hysteria of a mother who has not
embraced her daughter for years and years. But at the same
time from beyond the door in the rear another piercing cry
comes. Ponza dashes into the room_).
PONZA. No! Julia! Julia! Julia!
(_At his voice Signora Ponza draws up stiffly in the arms of
Signora Frola who is clasping her tightly. Ponza notices
that his mother-in-law is thus desperately entwined about
his wife and he shrieks desperately_).
PONZA. Cowards! Liars! I knew you would! I knew you would!
It is just like the lot of you!
SIGNORA PONZA (_turning her veiled head with a certain
austere solemnity toward her husband_). Never mind! Don't be
afraid! Just take her away, just take her away! Please go
away, now, both of you! Please go away!
(_Signora Frola, at these words, turns to her son-in-law and
humbly, tremblingly, goes over and embraces him_).
SIGNORA FROLA. Yes, yes, you poor boy, come with me, come
with me!
(_Their arms about each other's waists, and holding each
other up affectionately, Ponza and his mother-in-law
withdraw through the rear door. They are both weeping.
Profound silence in the company. All those present stand
there with their eyes fixed upon the departing couple. As
Signora Frola and Ponza are lost from view, all eyes turn
expectantly upon the veiled lady. Some of the women are
weeping_).
SIGNORA PONZA. And what can you want of me now, after all
this, ladies and gentlemen? In our lives, as you see, there
is something which must remain concealed. Otherwise the
remedy which our love for each other has found cannot avail.
PREFECT (_with tears in his eyes_). We surely are anxious to
respect your sorrow, madam, but we must know, and we want
you to tell....
SIGNORA PONZA. What? The truth? The truth is simply this. I
am the daughter of Signora Frola, and I am the second wife
of Signor Ponza. Yes, and--for myself, I am nobody, I am
nobody....
PREFECT. Ah, but no, madam, for yourself ... you must be ...
either the one or the other.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account