Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
THE STEP-DAUGHTER (_forcing herself to conquer her
indignation and nausea_). Stop! Stop! It's I who must thank
you. There's no need for you to feel mortified or specially
sorry. Don't think any more of what I've said. (_Tries to
smile_). I must forget that I am dressed so....
THE MANAGER (_interrupting and turning to the Prompter_).
Stop a minute! Stop! Don't write that down. Cut out that
last bit. (_Then to the Father and Step-Daughter_). Fine!
it's going fine! (_To the Father only_). And now you can go
on as we arranged. (_To the actors_). Pretty good that
scene, where he offers her the hat, eh?
THE STEP-DAUGHTER. The best's coming now. Why can't we go
on?
THE MANAGER. Have a little patience! (_To the actors_): Of
course, it must be treated rather lightly.
LEADING MAN. Still, with a bit of go in it!
LEADING LADY. Of course! It's easy enough! (_To Leading
Man_): Shall you and I try it now?
LEADING MAN. Why, yes! I'll prepare my entrance. (_Exit in
order to make his entrance_).
THE MANAGER (_to Leading Lady_). See here! The scene between
you and Madame Pace is finished. I'll have it written out
properly after. You remain here ... oh, where are you going?
LEADING LADY. One minute. I want to put my hat on again
(_goes over to hat-rack and puts her hat on her head_).
THE MANAGER. Good! You stay here with your head bowed down a
bit.
THE STEP-DAUGHTER. But she isn't dressed in black.
LEADING LADY. But I shall be, and much more effectively than
you.
THE MANAGER (_to Step-Daughter_). Be quiet please, and
watch! You'll be able to learn something. (_Clapping his
hands_) Come on! come on! Entrance, please!
(_The door at rear of stage opens, and the Leading Man
enters with the lively manner of an old gallant. The
rendering of the scene by the actors from the very first
words is seen to be quite a different thing, though it has
not in any way the air of a parody. Naturally, the
Step-Daughter and the Father, not being able to recognize
themselves in the Leading Lady and the Leading Man, who
deliver their words in different tones and with a different
psychology, express, sometimes with smiles, sometimes with
gestures, the impression they receive_).
LEADING MAN. Good afternoon, Miss....
THE FATHER (_at once unable to contain himself_). No! no!
(THE STEP-DAUGHTER _noticing the way the_ LEADING MAN
_enters, bursts out laughing_).
THE MANAGER (_furious_). Silence! And you please just stop
that laughing. If we go on like this, we shall never finish.
Public-domain text, read in full here on John Shaqi.
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