Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
THE MANAGER. I should hope not. Evidently they cannot be
you, if they are actors.
THE FATHER. Just so: actors! Both of them act our parts
exceedingly well. But, believe me, it produces quite a
different effect on us. They want to be us, but they aren't,
all the same.
THE MANAGER. What is it then anyway?
THE FATHER. Something that is ... that is theirs--and no
longer ours....
THE MANAGER. But naturally, inevitably. I've told you so
already.
THE FATHER. Yes, I understand ... I understand....
THE MANAGER. Well then, let's have no more of it! (_Turning
to the actors_): We'll have the rehearsals by ourselves,
afterwards, in the ordinary way. I never could stand
rehearsing with the author present. He's never satisfied!
(_Turning to Father and Step-Daughter_): Come on! Let's get
on with it again; and try and see if you can't keep from
laughing.
THE STEP-DAUGHTER. Oh, I shan't laugh any more. There's a
nice little bit coming for me now: you'll see.
THE MANAGER. Well then: when she says "Don't think any more
of what I've said. I must forget, etc.," you (_addressing
the Father_) come in sharp with "I understand, I
understand"; and then you ask her....
THE STEP-DAUGHTER (_interrupting_). What?
THE MANAGER. Why she is in mourning.
THE STEP-DAUGHTER. Not at all! See here: when I told him
that it was useless for me to be thinking about my wearing
mourning, do you know how he answered me? "Ah well," he said
"then let's take off this little frock."
THE MANAGER. Great! Just what we want, to make a riot in the
theatre!
THE STEP-DAUGHTER. But it's the truth!
THE MANAGER. What does that matter? Acting is our business
here. Truth up to a certain point, but no further.
THE STEP-DAUGHTER. What do you want to do then?
THE MANAGER. You'll see, you'll see! Leave it to me.
THE STEP-DAUGHTER. No sir! What you want to do is to piece
together a little romantic sentimental scene out of my
disgust, out of all the reasons, each more cruel and viler
than the other, why I am what I am. He is to ask me why I'm
in mourning; and I'm to answer with tears in my eyes, that
it is just two months since papa died. No sir, no! He's got
to say to me; as he did say: "Well, let's take off this
little dress at once." And I; with my two months' mourning
in my heart, went there behind that screen, and with these
fingers tingling with shame....
THE MANAGER (_running his hands through his hair_). For
Heaven's sake! What are you saying?
THE STEP-DAUGHTER (_crying out excitedly_). The truth! The
truth!
THE MANAGER. It may be. I don't deny it, and I can
understand all your horror; but you must surely see that you
can't have this kind of thing on the stage. It won't go.
Public-domain text, read in full here on John Shaqi.
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