NANCY. Keep young, Jim. (_She kisses him and he takes her in his
arms._)
_Enter BENHAM noiselessly._
BENHAM (_addressing the ceiling_). I beg your pardon, sir. (_They
disengage hastily._) But there’s a young woman called from one of the
newspapers. I think she desires an interview for the journal with
which she is connected. Or something of that nature, sir. (_He hands
BROXOPP her card._)
BROXOPP. Ah, yes. Well, show her up then.
BENHAM. Yes, sir.
[_He goes out._
BROXOPP (_indignantly_). What I say is this, Nancy. If a man can’t
kiss his own wife, on his own sofa, without being interrupted, he
isn’t living in a home at all; he’s living in an hotel. Now, I suppose
that the dignified gentleman who has just left us despises us from the
bottom of his heart. His Grace would never have been so vulgar as to
kiss his _own_ wife on the sofa.
NANCY. It doesn’t matter very much, Jim, does it? And I expect we
shall get used to him.
BROXOPP. I don’t know why we ever had the fellow—except that Master
Jack thought it went better with Eton and Oxford. Eton and Oxford—was
that your idea or mine?
NANCY. Yours, dear.
BROXOPP. Oh! Well, the only thing they taught him there was that his
father’s tie was the wrong shape.
NANCY (_carried back as she looks up at the picture_). There never was
a better baby than Jack.
BROXOPP (_looking at the picture too_). Yes, he used to like my tie in
those days. He was never so happy as when he was playing with it.
Funny how they change when they grow up. (_Looking at his watch_) What
are you doing this morning?
NANCY (_getting up_). All right, darling. I’m going. I know you like
being alone for interviews.
BROXOPP (_going to the door with her_). But you must come in, Nancy,
at the end. That went well last time. (_Quoting_) “Ah,” said
Mr. Broxopp, as a middle-aged but still beautiful woman glided into
the room, “here is my wife. My wife,” he went on, with a tender glance
at the still beautiful woman, “to whom I owe all my success.” As he
said these words——
NANCY. Oh, I expect this one won’t write that sort of rubbish.
BROXOPP (_indignantly_). Rubbish? I don’t call that rubbish.
NANCY. Well, then, nonsense, darling. Only—I rather like nonsense.
(_NANCY goes out. Left alone, the GREAT BROXOPP gets ready. He
spreads out his tie, fingers his buttonhole, and sees that a
volume of Shakespeare is well displayed on a chair. Then he sits
down at his desk and is discovered by MISS JOHNS hard at it._)
BENHAM (_announcing_). Miss Johns.
(_BENHAM goes out, leaving MISS JOHNS behind; a nervous young
woman of about thirty, with pince-nez. But BROXOPP is being too
quick for her. He has whisked the receiver off, and is busy
saying, “Quite so,” and “Certainly, half a million bottles,” to
the confusion of the girl at the Exchange._)
Public-domain text, read in full here on John Shaqi.
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