BROXOPP (_firmly_). Not in my hearing.
MISS JOHNS. I mean _the_ Stevenson. I think he said, “To travel
hopefully is a better thing than to arrive.”
BROXOPP. Yes—well, that’s another way of putting it. To travel
hopefully is a better thing than to arrive. So Stevenson found it out,
too, did he? Well, he was right.... All those years when I was
building up Broxopp’s Beans I was happy, really happy. I’m a fighter.
I like taking the public by the throat and making them look at me.
That’s over now. I’ve got ’em almost too tame. They come and eat the
Beans out of my hand. And though my success has given me something—a
comfortable home—servants to wait upon me—butlers and what not—the
best authors to read—(_he picks up the Shakespeare and puts it down
again_)—even a son from Eton and Oxford to gladden my old heart—yet
I miss something. I miss the struggle of those early days when my dear
wife and I (_he has another look at the door just in case_) set out
together hand in hand to beat the world. (_Sighing_) Ah, well! (_In a
business-like voice_) Now what can I tell you about myself, Miss
Johns? Pray, don’t be afraid of making any notes that you like.
MISS JOHNS. I shall remember what you said, Mr. Broxopp, without
taking any notes.
BROXOPP. Ah, well, you must please yourself about that. (_Looking at
his watch_) Now, then, I’m waiting for you.
MISS JOHNS. I—— (_She hesitates._)
BROXOPP (_kindly_). Perhaps you’re not used to interviewing? This is
the first time you’ve done it, eh?
MISS JOHNS. Well, I don’t do it, as a rule. And I’m afraid——
BROXOPP. Well, perhaps I can help you with it. You must send me
your manuscript. My wife (_he looks at the door with a frown—what
has happened to her?_) to whom I owe so much, was my first
interviewer—ah, that was many years ago. She picked up a guinea for
it, but that wasn’t the important thing. It was the publicity. “A Talk
with one of our Commercial Princes”—I don’t suppose the Editor had
ever even heard of me. (_Chuckling_) Ah, but we bluffed him. Lord, how
we piled it on. “‘Tell me, Mr. Broxopp,’ I said—” that was my wife.
“Mr. Broxopp leant against his marble mantelpiece—” that was me—“and
fingered the well-known Broxopp tie—” (_indicating it_) same one as
this. “‘Ah, my dear boy,’ he said—” The dear boy was my wife, of
course—she signed herself N. R. Chillingham, her maiden name; you
women weren’t so popular on the Press in those days—we pretended she
was a man. “‘Ah, my dear boy,’ he said, and I shall never forget the
look which came over his rugged face—” my wife didn’t like rugged,
but I insisted; sounded more like a commercial prince—“‘there is only
one secret of success, and that is hard work.’” (_With a sigh_) Ah,
well, those days are over. Happy days! The world seems to have grown
up since then. (_Looking at his watch_) Well, Miss Johns?
MISS JOHNS (_very nervous_). Mr. Broxopp, I don’t know how to tell
you. I didn’t really come to interview you at all to-day.
Public-domain text, read in full here on John Shaqi.
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