German drama -- Translations into English; Hebbel, Friedrich, 1813-1863 -- Translations into English
Should yesternight absolve my right of coming?
Have you then changed? Did you not e’en refuse
The solitary kiss for which I begged
As though you sat, the lily in your hand,
Beneath the plane as in the olden time?
RHOD.
You’ll live to thank me for it.
KAN.
Nay, but fear not.
True, I was drawn to you as on the morning
After our wedding; but a hint, a wave
Of hand, and I am gone even as I came.
Ay, swifter from your presence would I hasten
Than if in search of drink I neared a fountain
With noiseless tread, and in the very act
Espied a shrinking Naiad leave her bath.
RHOD.
Remain!
KAN.
No--not a breathing-span’s delay,
If it distress you; and it does distress,
I feel it deep. This is the hour for that
Which has been christened in your lovely phrase
Your “inmost self-communing.” I will not
Sully its sanctitude. Though Aphrodite,
Kind-smiling on this oversoon approach,
Threw me for your delight the golden girdle
She never gives away and scarcely lends,
I’d come some other time and hand it you.
RHOD.
No more. That sounds too sweet and gives me fear;
For aye my nurse would tell me, “When a man
Draws near his wife with over-fond approach
Be sure he’s done her feelings secret hurt.”
KAN.
There too I’m touched. I’ve done your feelings hurt.
I know your nature and as well I know
You cannot change your ways. Your father rules
Where Greek and Indian manners are immingled;
Your veil’s a portion of your Being’s self,
Yet must I ever pull and pluck at it
And would have wrenched it bodily yesterday.
Come then, I rue it, and I swear to you--
This drove me here--’twill not be done again.
[RHODOPE _laughs_.
For ne’er I longed as now that I might ward
Not just the grief that burrows to the bone
And leaves its scars to sharp the after-sting,
Nay, but to scare the tiniest shadow hence
That might o’ercast your soul with its annoy,
Though such a shadow’s source should be myself.
I will watch o’er you as the trusty lashes
Watch o’er your eye; down comes their latch and bars
Not only sand-grains but the sunny beam
When over-ardent and too swiftly come.
RHOD.
Too late! Too late!
KAN.
What is too late, dear wife?
RHOD.
I--No, I will not say it--I cannot say it;
Mayhap he’ll guess it, and if he should guess,
I’ll seek my knees, dumb, stripped of speech before him,
Pointing upon his sword-blade and my breast.
KAN.
Some dream has given you fright?
RHOD.
Public-domain text, read in full here on John Shaqi.
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