Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; WasteGranville-Barker, Harley
General
Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; Waste
Granville-Barker, Harley
English drama
Produced by David T. Jones, James Wright and the Online
Distributed Proofreading Canada Team at
http://www.pgdpcanada.net (This file was produced from
images generously made available by The Internet
Archive/American Libraries.)
THREE PLAYS BY
GRANVILLE BARKER
_These plays may also be obtained separately: in cloth, 2s. net each; in
paper covers, 1s. 6d. net each._
THREE PLAYS BY GRANVILLE BARKER:
THE MARRYING OF ANN LEETE--THE
VOYSEY INHERITANCE--WASTE
LONDON: SIDGWICK & JACKSON, LTD.
3 ADAM STREET, ADELPHI. MCMIX.
_Entered at the Library of Congress, Washington, U.S.A.
All rights reserved._
_First Impression, August 1909_
_Second Impression, September 1909_
_Third Impression, November 1909_
To the memory of my fellow-worker,
St. John Hankin.
The Marrying of Ann Leete
A COMEDY
1899
THE MARRYING OF ANN LEETE
_The first three acts of the comedy pass in the garden at Markswayde_,
MR. CARNABY LEETE'S _house near Reading, during a summer day towards the
close of the eighteenth century: the first act at four in the morning,
the second shortly after mid-day, the third near to sunset. The fourth
act takes place one day in the following winter; the first scene in the
hall at Markswayde, the second scene in a cottage some ten miles off._
_This part of the Markswayde garden looks to have been laid out during
the seventeenth century. In the middle a fountain; the centrepiece the
figure of a nymph, now somewhat cracked, and pouring nothing from the
amphora; the rim of the fountain is high enough and broad enough to be a
comfortable seat._
_The close turf around is in parts worn bare. This plot of ground is
surrounded by a terrace three feet higher. Three sides of it are seen.
From two corners broad steps lead down; stone urns stand at the bottom
and top of the stone balustrades. The other two corners are rounded
convexly into broad stone seats._
_Along the edges of the terrace are growing rose trees, close together;
behind these, paths; behind those, shrubs and trees. No landscape is to
be seen. A big copper beech overshadows the seat on the left. A silver
birch droops over the seat on the right. The trees far to the left
indicate an orchard, the few to the right are more of the garden sort.
It is the height of summer, and after a long drought the rose trees are
dilapidated._
Public-domain text, read in full here on John Shaqi.
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