Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; WasteGranville-Barker, Harley
General
Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; Waste
Granville-Barker, Harley
English drama
TREBELL. Come and look at the stars again. Come along.
AMY O'CONNELL. Give me my wrap . . [_He takes it up, but holds it._]
Well, put it on me. [_He puts it round her, but does not withdraw his
arms._] Be careful, the stars are looking at you.
TREBELL. No, they can't see so far as we can. That's the proper creed.
AMY O'CONNELL. [_Softly, almost shyly._] Henry.
TREBELL. [_Bending closer to her._] Yes, pretty thing.
AMY O'CONNELL. Is this what you call being in love?
_He looks up and listens._
TREBELL. Here's somebody coming.
AMY O'CONNELL. Oh! . .
TREBELL. What does it matter?
AMY O'CONNELL. I'm untidy or something . .
_She slips out, for they are close to the window. The_ FOOTMAN _enters,
stops suddenly_.
THE FOOTMAN. I beg your pardon, sir. I thought everyone had gone.
TREBELL. I've just been for a walk. I'll lock up if you like.
THE FOOTMAN. I can easily wait up, sir.
TREBELL. [_At the window._] I wouldn't. What do you do . . just slide
the bolt?
THE FOOTMAN. That's all, sir.
TREBELL. I see. Good-night.
THE FOOTMAN. Good-night, sir.
_He goes._ TREBELL'S _demeanour suddenly changes, becomes alert, with
the alertness of a man doing something in secret. He leans out of the
window and whispers._
TREBELL. Amy!
_There is no answer, so he gently steps out. For a moment the room is
empty and there is silence. Then_ AMY _has flown from him into the
safety of lights. She is flushed, trembling, but rather ecstatic, and
her voice has lost all affectation now._
AMY O'CONNELL. Oh . . oh . . you shouldn't have kissed me like that!
TREBELL _stands in the window-way; a light in his eyes, and speaks low
but commandingly_.
TREBELL. Come here.
_Instinctively she moves towards him. They speak in whispers._
AMY O'CONNELL. He was locking up.
TREBELL. I've sent him to bed.
AMY O'CONNELL. He won't go.
TREBELL. Never mind him.
AMY O'CONNELL. We're standing full in the light . . anyone could see us.
TREBELL. [_With fierce egotism._] Think of me . . not of anyone else.
[_He draws her from the window; then does not let her go._] May I kiss
you again?
AMY O'CONNELL. [_Her eyes closed._] Yes.
_He kisses her. She stiffens in his arms; then laughs almost joyously,
and is commonplace._
AMY O'CONNELL. Well . . let me get my breath.
TREBELL. [_Letting her stand free._] Now . . go along.
_Obediently she turns to the door, but sinks on the nearest chair._
AMY O'CONNELL. In a minute, I'm a little faint. [_He goes to her
quickly._] No, it's nothing.
TREBELL. Come into the air again. [_Then half seriously._] I'll race you
across the lawn.
AMY O'CONNELL. [_Still breathless and a little hysterical._] Thank you!
TREBELL. Shall I carry you?
AMY O'CONNELL. Don't be silly. [_She recovers her self-possession, gets
up and goes to the window, then looks back at him and says very
beautifully._] But the night's beautiful, isn't it?
_He has her in his arms again, more firmly this time._
TREBELL. Make it so.
Public-domain text, read in full here on John Shaqi.
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