Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; WasteGranville-Barker, Harley
General
Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; Waste
Granville-Barker, Harley
English drama
AMY O'CONNELL. [_Struggling . . with herself._] Oh, why do you rouse me
like this?
TREBELL. Because I want you.
AMY O'CONNELL. Want me to . . ?
TREBELL. Want you to . . kiss me just once.
AMY O'CONNELL. [_Yielding._] If I do . . don't let me go mad, will you?
TREBELL. Perhaps. [_He bends over her, her head drops back._] Now.
AMY O'CONNELL. Yes!
_She kisses him on the mouth. Then he would release her, but suddenly
she clings again._
Oh . . don't let me go.
TREBELL. [_With fierce pride of possession._] Not yet.
_She is fragile beside him. He lifts her in his arms and carries her out
into the darkness._
THE SECOND ACT
TREBELL'S house in Queen Anne Street, London. Eleven o'clock on an
October morning.
TREBELL'S _working room is remarkable chiefly for the love of sunlight
it evidences in its owner. The walls are white; the window which faces
you is bare of all but the necessary curtains. Indeed, lack of draperies
testifies also to his horror of dust. There faces you besides a double
door; when it is opened another door is seen. When that is opened you
discover a writing table, and beyond can discern a book-case filled with
heavy volumes--law reports perhaps. The little room beyond is, so to
speak, an under-study. Between the two rooms a window, again barely
curtained, throws light down the staircase. But in the big room, while
the books are many the choice of them is catholic; and the book-cases
are low, running along the wall. There is an armchair before the bright
fire, which is on your right. There is a sofa. And in the middle of the
room is an enormous double writing table piled tidily with much
appropriate impedimenta, blue books and pamphlets and with an especial
heap of unopened letters and parcels. At the table sits_ TREBELL
_himself, in good health and spirits, but eyeing askance the work to
which he has evidently just returned. His sister looks in on him. She is
dressed to go out and has a housekeeping air._
FRANCES. Are you busy, Henry?
TREBELL. More or less. Come in.
FRANCES. You'll dine at home?
TREBELL. Anyone coming?
FRANCES. Julia Farrant and Lucy have run up to town, I think. I thought
of going round and asking them to come in . . but perhaps your young man
will be going there. Amy O'Connell said something vague about our going
to Charles Street . . but she may be out of town by now.
TREBELL. Well . . I'll be in anyhow.
FRANCES. [_Going to the window as she buttons her gloves._] Were you on
deck early this morning? It must have been lovely.
TREBELL. No, I turned in before we got out of le Havre. I left Kent on
deck and found him there at six.
FRANCES. I don't think autumn means to come at all this year . . it'll
be winter one morning. September has been like a hive of bees, busy and
drowsy. By the way, Cousin Mary has another baby . . a girl.
TREBELL. [_Indifferent to the information._] That's the fourth.
Public-domain text, read in full here on John Shaqi.
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