Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; WasteGranville-Barker, Harley
General
Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; Waste
Granville-Barker, Harley
English drama
ANN. [_Quietly to_ SARAH.] I will speak sometimes.
SARAH. Sit down again.
_Again an uncomfortable silence, a ludicrous air about it this time._
MR. TATTON. Now, we'll say no more about that bet, but I was right.
LORD JOHN. Do you know, Mr. Tatton, that I have a temper to lose?
MR. TATTON. What the devil does that matter to me, sir . . . my lord?
LORD JOHN. I owe you a saddle and bridle.
MR. TATTON. You'll oblige me by taking the mare.
LORD JOHN. We'll discuss it to-morrow.
MR. TATTON. I've said all I have to say.
GEORGE. The whole matter's ridiculous!
MR. TATTON. I see the joke. Good-night, Lady Cottesham, and I kiss your
hand.
SARAH. Good morning, Mr. Tat.
MR. TATTON. Good morning, Miss Ann, I . . .
SARAH. [_Shielding her sister._] Good morrow is appropriate.
MR. TATTON. I'll go by the fields. [_To_ CARNABY.] Thank you for a
pleasant evening. Good morrow, George. Do we start at mid-day, my lord?
LORD JOHN. Any time you please.
MR. TATTON. Not at all. [_He hands the candlestick--of which he has
never before left go--to_ GEORGE.] I brought this for a link. Thank you.
CARNABY. Mid-day will be midnight if you sleep at all now; make it two
or later.
MR. TATTON. We put up at Guildford. I've done so before. I haven't my
hat. It's a day and a half's ride.
TATTON _goes quickly up the other steps and away. It is now quite
light._ GEORGE _stands by the steps_, LORD JOHN _is on one of the
seats_, CARNABY _strolls round, now and then touching the rose trees_,
SARAH _and_ ANN _are on the other seat_.
GEORGE. Morning! These candles still smell.
SARAH. How lively one feels and isn't.
CARNABY. The flowers are opening.
ANN. [_In a whisper._] Couldn't we go in?
SARAH. Never run away.
ANN. Everything looks so odd.
SARAH. What's o'clock . . . my lord?
LORD JOHN. Half after four.
ANN. [_To_ SARAH.] My eyes are hot behind.
GEORGE. What ghosts we seem!
SARAH. What has made us spend such a night?
CARNABY. Ann incited me to it. [_He takes snuff._]
SARAH. In a spirit of rebellion against good country habits. . .
ANN. [_To her sister again._] Don't talk about me.
SARAH. They can see that you're whispering.
CARNABY. . . . Informing me now she was a woman and wanted excitement.
GEORGE. There's a curse.
CARNABY. How else d'ye conceive life for women?
SARAH. George is naturally cruel. Excitement's our education. Please
vary it, though.
CARNABY. I have always held that to colour in the world-picture is the
greatest privilege of the husband. Sarah.
SARAH. [_Not leaving_ ANN'S _side_.] Yes, Papa.
CARNABY. Sarah, when Sir Charles leaves Brighton. . .
SARAH _rises but will not move further_.
CARNABY. [_Sweetly threatening._] Shall I come to you?
_But she goes to him now._
CARNABY. By a gossip letter from town . . .
SARAH. [_Tensely._] What is it?
CARNABY. You mentioned to me something of his visiting Naples.
SARAH. Very well. I detest Italy.
CARNABY. Let's have George's opinion.
_He leads her towards_ GEORGE.
GEORGE. Yes?
Public-domain text, read in full here on John Shaqi.
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