Three Plays: The Fiddler's House, The Land, Thomas MuskerryColum, Padraic
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Three Plays: The Fiddler's House, The Land, Thomas Muskerry
Colum, Padraic
Irish drama -- 20th century
THREE PLAYS
THE FIDDLER'S HOUSE
THE LAND
THOMAS MUSKERRY
BY
PADRAIC COLUM
BOSTON
LITTLE, BROWN, AND COMPANY
1916
TO MY FRIEND
THOMAS HUGHES KELLY
THESE THREE IRISH PLAYS
_AUTHOR'S NOTE_
I have been asked to say something about the intentions and ideas
that underlie the three short plays in this volume.
These plays were conceived in the early days of the Irish National
Theatre. I had been one of the group that formed the National
Theatre Society and I wrote plays for players who were my colleagues
and my instructors; I wrote them for a small, barely-furnished stage
in a small theatre; I wrote them, too, for an audience that was
tremendously interested in every expression of national character.
"The Land" was written to celebrate the redemption of the soil of
Ireland--an event made possible by the Land Act of 1903. This event,
as it represented the passing of Irish acres from an alien
landlordism, was considered to be of national importance. "The Land"
also dealt with a movement that ran counter to the rooting of the
Celtic people in the soil--emigration--the emigration to America of
the young and the fit. In "The Land" I tried to show that it was not
altogether an economic necessity that was driving young men and
women out of the Irish rural districts; the lack of life and the
lack of freedom there had much to do with emigration.
"The Land" touched upon a typical conflict, the conflict between the
individual and that which, in Ireland, has much authority, the
family group. This particular conflict was shown again in "The
Fiddler's House." where the life, not of the actual peasants, but of
rural people with artistic and aristocratic traditions, was shown.
I tried to show the same conflict working out more tragically in the
play of middle-class life, "Thomas Muskerry." Here I went above the
peasant and the wandering artist and came to the official. I had
intended to make plays about the merchant, the landowner, the
political and the intellectual leader and so write a chapter in an
Irish Human Comedy. But while I was thinking of the play that is
third in this volume my connection with the National Theatre Society
was broken off. "Thomas Muskerry" was produced in the Abbey Theatre
after I had ceased to be a member of the group that had founded it.
PADRAIC COLUM
NEW YORK
_August, 1916_
_CONTENTS_
AUTHOR'S NOTE
THE FIDDLER'S HOUSE
THE LAND: AN AGRARIAN COMEDY IN THREE ACTS
THOMAS MUSKERRY
_THE FIDDLER'S HOUSE_
_CHARACTERS_
CONN HOURICAN, a Fiddler.
MAIRE (Mary) [1] HOURICAN, his daughter.
ANNE HOURICAN, a younger daughter.
BRIAN MACCONNELL, a younger farmer.
JAMES MOYNIHAN, a farmer's son.
The action passes in the Houricans' house in the Irish Midlands.
[Footnote 1: The name is pronounced as if written "Maurya."]
ACT I
Public-domain text, read in full here on John Shaqi.
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