Three Plays: The Fiddler's House, The Land, Thomas Muskerry — John Shaqi
Three Plays: The Fiddler's House, The Land, Thomas MuskerryColum, Padraic
General
Three Plays: The Fiddler's House, The Land, Thomas Muskerry
Colum, Padraic
Irish drama -- 20th century
CONN
It's a pleasant house, a pleasant house. Brian will make his
_ceilidh [3]_ with me. We might go over a few tunes.
ANNE
Let Brian come where there are girls that might miss him.
MAIRE
Anne, you're a great one for keeping up the story that girls
are always thinking about men.
ANNE
And so they are. Just as men are always thinking about girls.
MAIRE
You'd make a good ribbonman.[4] You'd put a face on anything
you said.
[Footnote 3: Celidh, pronounced cayley, a visit.]
[Footnote 4: A ribbonman--a member of a secret agrarian society.]
ANNE
Ribbonism and secret societies were denounced off the altar.
MAIRE
Goodness! The men will begin to think they've secrets worth
telling.
ANNE
Have you secrets worth telling, Brian?
MAIRE
I daresay he has. There are foolish women in the world.
ANNE
Are you coming to Moynihan's, Brian?
BRIAN
No. I'm going where there's men.
MAIRE
Come, Anne, till I deck you out. Come here, daughter, don't
wear flowers. I think they're unlucky. Here I am talking like this,
and I going to a dance. I suppose I'll dance with seven or eight and
forget what's on my mind.... Everyone is going to Moynihan's except
the men here. Are you going out, father?
CONN
I'm making a _ceilidh_ with Brian.
MAIRE
Well, God be with you both. Come on, Anne.
_Maire takes down her shawl, and puts it over her head. She stands
at the door, watching Anne, who goes to Brian._
ANNE
Brian, what have you against Moynihan's?
BRIAN
Nothing at all. I may go in. MAIRE Come on, Anne. God be with
you both.
_Maire and Anne go out. They are heard talking for a while. Conn
goes to the door_.
CONN
Maire and Anne are turning the bohereen. [5] Come on now.
_He takes his fiddle and begins to wrap it up eagerly_.
BRIAN
Ay, let's go.
CONN
_(at door)_ I never forget, I never forget. The Granard Feis is
as fresh in my mind as the day I played at it. Shawn Heffernan,
indeed! I never forget. I never forget.
_Conn Hourican and Brian MacConnell go out_.
[Footnote 5: Bohereen--the little path going from the cottage to
the main road.]
CURTAIN
ACT II
_The next day: The scene is as in previous Act. It is now in the
forenoon. Maire Hourican is seated at the fire in a listless attitude.
Anne is busy at the dresser. Maire rises_.
MAIRE
We shouldn't have stayed at Moynihan's so late.
ANNE
Indeed it would have been better to go home, but I was sure
that Brian MacConnell would come in.
MAIRE
Well, it was his own loss if he didn't come. Maybe there was
one there that I liked better.
ANNE
You couldn't have liked Connor Gilpatrick better than Brian
MacConnell.
MAIRE
Connor's the best-looking boy in the country. Was it noticed
that we were together often?
ANNE
_(significantly)_ Peggy Carroll noticed it.
MAIRE
Well, the boy was glad to talk to me. Connor's a good dancer,
and he has fine talk besides. If Brian MacConnell had come to the
door, I wouldn't have turned my head towards him.
Public-domain text, read in full here on John Shaqi.
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