Three Plays: The Fiddler's House, The Land, Thomas MuskerryColum, Padraic
General
Three Plays: The Fiddler's House, The Land, Thomas Muskerry
Colum, Padraic
Irish drama -- 20th century
CONN
The people of this place. The people _you_ want to shine before.
MAIRE
I don't want to shine before the people.
CONN
I'm not saying against you, Maire.
MAIRE
You're wrong in thinking I want to shine at all.
CONN
Sure you go to every dance and ceilidh; and to every house
where you can show off your face, and dancing, and conversation.
MAIRE
Do I? Maybe I do. Every girl does the like.
CONN
I'm not saying against it.
_Pause._
MAIRE
You think I'm like yourself, wanting the praise of the people.
CONN
And what's the harm if you do?
MAIRE
No harm at all. But I don't go to houses to show myself off.
CONN
Troth and you do, Maire.
_He rises and goes towards the entrance, and remains looking out_.
MAIRE
I won't believe it.
_She goes to the settle. Anne comes in. Anne goes to the glass to
fix her hair_.
CONN
Had you a good night at Moynihan's, Anne?
ANNE
A sort of a good night.
CONN
I was going to tell you about a man I met last night. He had a
song about your grandmother.
ANNE
Was grandmother a great beauty, father?
CONN
Honor Gilroy had good looks, and indeed she made the most of
them.
MAIRE
It's likely there was some to tell her that she was showing off.
CONN
No one was to her liking unless they praised her.
ANNE
Ah well, a fiddler ought to forgive that to a woman. MAIRE
Fiddlers and women are all alike, but don't say that to him.
_Anne goes to Maire and sits beside her_.
CONN
_(speaking to both)_ Well, Honor Gilroy wasn't the worst, maybe.
MAIRE
And fiddlers and women oughtn't be hard on each other.
CONN
Do you say that, Maire?
MAIRE
_(rising and going to him)_ I say it, father.
CONN
God forgive me if I vexed you, Maire.
ANNE
It's clearing up now, father, and you ought to go out to James.
_(Conn turns to the door. He remains in the doorway. Anne rises and
goes to Maire)_ What did you say to him?
MAIRE
_(looking at Conn)_ He doesn't feel it at all. Father will
always be the fiddler, no matter what we say.
ANNE
Maire. Come and talk to me. _(They sit at fire)_ I was talking
to James. He'll never be happy until we're under the one roof.
_Maire clasps Anne's hands passionately_.
MAIRE
_(with cry)_ Anne, daughter, I'll be very lonesome for you.
ANNE
But sure I won't be far off, Maire.
MAIRE
Ay, but it's terrible to face things alone.
_James has come to the door. Conn and James have been talking. They
turn in_.
CONN
But I'll be glad enough to have the scythe in my hands after it
all, James.
JAMES
Anne was telling me how you took the victory from Connaught.
CONN
Still I'm sorry for him! That poor Heffernan! He'll never hold
up his head again.
JAMES
Sure I'd have it in a ballad that would be sung in his own town.
It would be well worth putting into a ballad.
CONN
Well indeed, it would make a right good ballad, James.
JAMES
I'd like to make a ballad about it, that would be sung all
over Connaught.
Public-domain text, read in full here on John Shaqi.
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