Three Plays: The Fiddler's House, The Land, Thomas MuskerryColum, Padraic
General
Three Plays: The Fiddler's House, The Land, Thomas Muskerry
Colum, Padraic
Irish drama -- 20th century
MAIRE
I came to give it to her after I saw how hard I was on yourself.
CONN
Listen, my jewel, even if the Moynihans had nothing to do with
the place, what would Conn Hourican the fiddler be doing in this
country?
MAIRE
Ah, there are many you might play to; there are lots that know
about music. There's Michael Gilpatrick and John Molloy--
CONN
And that's all, Maire. MAIRE You might go to Flynn's an odd time.
CONN
And what do they know about music in Flynn's? Young Corney
Myles was up there a while ago, and you'd think, from what the men
said, that there was never the like of Corney for playing, and the
boy isn't three years at the fiddle,
MAIRE
Father, stay here where the shelter is.
CONN
Sure, I'd be getting ould, and staying in the chimney-corner,
with no one to talk to me, for you'd be going to a place of your own,
and Anne? after a while, would have too much to mind.
MAIRE
The people here are kinder than you think.
CONN
But what has Conn Hourican to do with them anyhow? The very
greatest were glad of my playing, and were proud to know me.
MAIRE
I know that, father.
CONN
Well, one is always meeting new life upon the roads, and I want
to spend the years I have before me going from place to place.
MAIRE
_(going to him)_ If you took to the roads, I'd think I ought
to go with you, for we were always together.
CONN
Ah, Maire, there are some that would keep you here.
MAIRE
Do you know who would keep me here?
CONN
Brian MacConnell is very fond of you.
MAIRE
Do you know that, father?
CONN
And I know that you are fond of Brian. _(There is no answer)_
That my jewel may have luck and prosperity. _(Goes towards room door,
leaving Maire standing there)_ I'll be taking this fiddle, Maire.
MAIRE
Oh, are we going on the roads?
CONN
To Ardagh, Maire.
MAIRE
To Ardagh.
CONN
I'll go up now, and make ready.
_He takes candle off table, and goes back towards room door._
MAIRE
Oh, what do I know about Brian MacConnell, after all?
CONN
Brian is wild, but he is free-handed.
MAIRE
Wild and free-handed! Are all men like that? Wild and
free-handed! But that's not the sort of man I want to look to now.
CONN
That's nothing to Brian's discredit. MAIRE Ah, what do I know
about Brian MacConnell, except that he's a man of quarrels and
broken words?
_Conn holds up his hand warningly. Brian MacConnell comes to door_.
CONN
_(opening half-door)_ You're welcome, Brian.
BRIAN
Thank you for the good word, Conn.
_He comes in_.
MAIRE
You're welcome, Brian MacConnell.
CONN
_(taking candle off dresser)_ I was going up to the room to
make ready, but Maire will be glad to speak to you. I knew you
wouldn't let us go without wishing us the luck of the road.
_Goes up to room. Maire goes and sits on settle_.
MAIRE
Brian MacConnell has come to us again.
BRIAN
I'm before you again. Let me tell you what I was doing since I
was here last.
MAIRE
What were you doing, Brian? Making quarrels, may be?
BRIAN
_(startled)_ Why do you say that?
Public-domain text, read in full here on John Shaqi.
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