Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul. — John Shaqi
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.Flaubert, Gustave
General
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.
Flaubert, Gustave
France -- Social life and customs -- Fiction
The great stag had watched everything and suddenly he sprang
forward. Julian aimed his last arrow at the beast. It struck him
between his antlers and stuck there.
The stag did not appear to notice it; leaping over the bodies, he
was coming nearer and nearer with the intention, Julian thought,
of charging at him and ripping him open, and he recoiled with
inexpressible horror. But presently the huge animal halted, and,
with eyes aflame and the solemn air of a patriarch and a judge,
repeated thrice, while a bell tolled in the distance: "Accursed!
Accursed! Accursed! some day, ferocious soul, thou wilt murder thy
father and thy mother!"
Then he sank on his knees, gently closed his lids and expired.
At first Julian was stunned, and then a sudden lassitude and an
immense sadness came over him. Holding his head between his hands,
he wept for a long time.
His steed had wandered away; his dogs had forsaken him; the
solitude seemed to threaten him with unknown perils. Impelled by a
sense of sickening terror, he ran across the fields, and choosing
a path at random, found himself almost immediately at the gates of
the castle.
That night he could not rest, for, by the flickering light of the
hanging lamp, he beheld again the huge black stag. He fought
against the obsession of the prediction and kept repeating: "No!
No! No! I cannot slay them!" and then he thought: "Still,
supposing I desired to?--" and he feared that the devil might
inspire him with this desire.
During three months, his distracted mother prayed at his bedside,
and his father paced the halls of the castle in anguish. He
consulted the most celebrated physicians, who prescribed
quantities of medicine. Julian's illness, they declared, was due
to some injurious wind or to amorous desire. But in reply to their
questions, the young man only shook his head. After a time, his
strength returned, and he was able to take a walk in the
courtyard, supported by his father and the old monk.
But after he had completely recovered, he refused to hunt.
His father, hoping to please him, presented him with a large
Saracen sabre. It was placed on a panoply that hung on a pillar,
and a ladder was required to reach it. Julian climbed up to it one
day, but the heavy weapon slipped from his grasp, and in falling
grazed his father and tore his cloak. Julian, believing he had
killed him, fell in a swoon.
After that, he carefully avoided weapons. The sight of a naked
sword made him grow pale, and this weakness caused great distress
to his family.
In the end, the old monk ordered him in the name of God, and of
his forefathers, once more to indulge in the sports of a nobleman.
The equerries diverted themselves every day with javelins and
Julian soon excelled in the practice.
He was able to send a javelin into bottles, to break the teeth of
the weather-cocks on the castle and to strike door-nails at a
distance of one hundred feet.
Public-domain text, read in full here on John Shaqi.
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