Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.Flaubert, Gustave
General
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.
Flaubert, Gustave
France -- Social life and customs -- Fiction
His wife appeared astonished.
"I am obeying you," quoth he, "and I shall be back at sunrise."
However, she feared that some calamity would happen. But he
reassured her and departed, surprised at her illogical moods.
A short time afterwards, a page came to announce that two
strangers desired, in the absence of the lord of the castle, to
see its mistress at once.
Soon a stooping old man and an aged woman entered the room; their
coarse garments were covered with dust and each leaned on a stick.
They grew bold enough to say that they brought Julian news of his
parents. She leaned out of the bed to listen to them. But after
glancing at each other, the old people asked her whether he ever
referred to them and if he still loved them.
"Oh! yes!" she said.
Then they exclaimed:
"We are his parents!" and they sat themselves down, for they were
very tired.
But there was nothing to show the young wife that her husband was
their son.
They proved it by describing to her the birthmarks he had on his
body. Then she jumped out of bed, called a page, and ordered that
a repast be served to them.
But although they were very hungry, they could scarcely eat, and
she observed surreptitiously how their lean fingers trembled
whenever they lifted their cups.
They asked a hundred questions about their son, and she answered
each one of them, but she was careful not to refer to the terrible
idea that concerned them.
When he failed to return, they had left their château; and had
wandered for several years, following vague indications but
without losing hope.
So much money had been spent at the tolls of the rivers and in
inns, to satisfy the rights of princes and the demands of
highwaymen, that now their purse was quite empty and they were
obliged to beg. But what did it matter, since they were about to
clasp again their son in their arms? They lauded his happiness in
having such a beautiful wife, and did not tire of looking at her
and kissing her.
The luxuriousness of the apartment astonished them; and the old
man, after examining the walls, inquired why they bore the coat-of-arms
of the Emperor of Occitania.
"He is my father," she replied.
And he marvelled and remembered the prediction of the gipsy, while
his wife meditated upon the words the hermit had spoken to her.
The glory of their son was undoubtedly only the dawn of eternal
splendours, and the old people remained awed while the light from
the candelabra on the table fell on them.
In the heyday of youth, both had been extremely handsome. The
mother had not lost her hair, and bands of snowy whiteness framed
her cheeks; and the father, with his stalwart figure and long
beard, looked like a carved image.
Julian's wife prevailed upon them not to wait for him. She put
them in her bed and closed the curtains; and they both fell
asleep. The day broke and outdoors the little birds began to
chirp.
Public-domain text, read in full here on John Shaqi.
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