Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.Flaubert, Gustave
General
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.
Flaubert, Gustave
France -- Social life and customs -- Fiction
At first she lived in a constant anxiety that was caused by "the
style of the household" and the memory of "Monsieur," that hovered
over everything. Paul and Virginia, the one aged seven, and the
other barely four, seemed made of some precious material; she
carried them pig-a-back, and was greatly mortified when Madame
Aubain forbade her to kiss them every other minute.
But in spite of all this, she was happy. The comfort of her new
surroundings had obliterated her sadness.
Every Thursday, friends of Madame Aubain dropped in for a game of
cards, and it was Félicité's duty to prepare the table and heat
the foot-warmers. They arrived at exactly eight o'clock and
departed before eleven.
Every Monday morning, the dealer in second-hand goods, who lived
under the alley-way, spread out his wares on the sidewalk. Then
the city would be filled with a buzzing of voices in which the
neighing of horses, the bleating of lambs, the grunting of pigs,
could be distinguished, mingled with the sharp sound of wheels on
the cobble-stones. About twelve o'clock, when the market was in
full swing, there appeared at the front door a tall, middle-aged
peasant, with a hooked nose and a cap on the back of his head; it
was Robelin, the farmer of Geffosses. Shortly afterwards came
Liébard, the farmer of Toucques, short, rotund and ruddy, wearing
a grey jacket and spurred boots.
Both men brought their landlady either chickens or cheese.
Félicité would invariably thwart their ruses and they held her in
great respect.
At various times, Madame Aubain received a visit from the Marquis
de Grémanville, one of her uncles, who was ruined and lived at
Falaise on the remainder of his estates. He always came at
dinner-time and brought an ugly poodle with him, whose paws soiled
the furniture. In spite of his efforts to appear a man of breeding
(he even went so far as to raise his hat every time he said "My
deceased father"), his habits got the better of him, and he would
fill his glass a little too often and relate broad stories.
Félicité would show him out very politely and say: "You have had
enough for this time, Monsieur de Grémanville! Hoping to see you
again!" and would close the door.
She opened it gladly for Monsieur Bourais, a retired lawyer. His
bald head and white cravat, the ruffling of his shirt, his flowing
brown coat, the manner in which he took his snuff, his whole
person, in fact, produced in her the kind of awe which we feel
when we see extraordinary persons. As he managed Madame's estates,
he spent hours with her in Monsieur's study; he was in constant
fear of being compromised, had a great regard for the magistracy
and some pretensions to learning.
In order to facilitate the children's studies, he presented them
with an engraved geography which represented various scenes of the
world: cannibals with feather head-dresses, a gorilla kidnapping a
young girl, Arabs in the desert, a whale being harpooned, etc.
Public-domain text, read in full here on John Shaqi.
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