Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul. — John Shaqi
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.Flaubert, Gustave
General
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.
Flaubert, Gustave
France -- Social life and customs -- Fiction
Virginia's frocks were hung under a shelf where there were three
dolls, some hoops, a doll-house, and a basin which she had used.
Félicité and Madame Aubain also took out the skirts, the
handkerchiefs, and the stockings and spread them on the beds,
before putting them away again. The sun fell on the piteous
things, disclosing their spots and the creases formed by the
motions of the body. The atmosphere was warm and blue, and a
blackbird trilled in the garden; everything seemed to live in
happiness. They found a little hat of soft brown plush, but it was
entirely moth-eaten. Félicité asked for it. Their eyes met and
filled with tears; at last the mistress opened her arms and the
servant threw herself against her breast and they hugged each
other and giving vent to their grief in a kiss which equalized
them for a moment.
It was the first time that this had ever happened, for Madame
Aubain was not of an expansive nature. Félicité was as grateful
for it as if it had been some favour, and thenceforth loved her
with animal-like devotion and a religious veneration.
Her kind-heartedness developed. When she heard the drums of a
marching regiment passing through the street, she would stand in
the doorway with a jug of cider and give the soldiers a drink. She
nursed cholera victims. She protected Polish refugees, and one of
them even declared that he wished to marry her. But they
quarrelled, for one morning when she returned from the Angelus she
found him in the kitchen coolly eating a dish which he had
prepared for himself during her absence.
After the Polish refugees, came Colmiche, an old man who was
credited with having committed frightful misdeeds in '93. He lived
near the river in the ruins of a pig-sty. The urchins peeped at
him through the cracks in the walls and threw stones that fell on
his miserable bed, where he lay gasping with catarrh, with long
hair, inflamed eyelids, and a tumour as big as his head on one
arm.
She got him some linen, tried to clean his hovel and dreamed of
installing him in the bake-house without his being in Madame's
way. When the cancer broke, she dressed it every day; sometimes
she brought him some cake and placed him in the sun on a bundle of
hay; and the poor old creature, trembling and drooling, would
thank her in his broken voice, and put out his hands whenever she
left him. Finally he died; and she had a mass said for the repose
of his soul.
That day a great joy came to her: at dinner-time, Madame de
Larsonnière's servant called with the parrot, the cage, and the
perch and chain and lock. A note from the baroness told Madame
Aubain that as her husband had been promoted to a prefecture, they
were leaving that night, and she begged her to accept the bird as
a remembrance and a token of her esteem.
Since a long time the parrot had been on Félicité's mind, because
he came from America, which reminded her of Victor, and she had
approached the negro on the subject.
Once even, she had said:
Public-domain text, read in full here on John Shaqi.
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