American fiction -- 20th century; American poetry -- 20th century; Short stories, American
“Sure is hell keeping it down, Joe” he’d say and lean back and shut
his eyes and breath long and deep, “it aint like when you’re a kid”.
Then he’d get up before he started to cool and we’d jog along back to
the stables. That’s the way it was keeping down to weight. He was
worried all the time. Most jocks can just about ride off all they
want to. A jock loses about a kilo every time he rides, but my old
man was sort of dried out and he couldn’t keep down his kilos without
all that running.
I remember once at San Siro, Regoli, a little wop that was riding for
Buzoni came out across the paddock going to the bar for something
cool and flicking his boots with his whip, after he’d just weighed in
and my old man had just weighed in too and came out with the saddle
under his arm looking red faced and tired and too big for his silks
and he stood there looking at young Regoli standing up to the
outdoors bar cool and kid looking and I says, “What’s the matter
Dad?” cause I thought maybe Regoli had bumped him or something and he
just looked at Regoli and said, “Oh to hell with it” and went on to
the dressing room.
Well it would have been all right maybe if we’d stayed in Milan and
ridden at Milan and Torino cause if there ever were any easy courses
its those two. “Pianola, Joe”. My old man said when he dismounted in
the winning stall after what the wops thought was a hell of a
steeplechase. I asked him once, “This course rides its-self. It’s the
pace you’re going at that makes riding the jumps dangerous Joe. We
aint going any pace here, and they aint any really bad jumps either.
But it’s the pace always—not the jumps that makes the trouble”.
San Siro was the swellest course I’d ever seen but the old man said
it was a dog’s life. Going back and forth between Mirafiore and San
Siro and riding just about every day in the week with a train ride
every other night.
I was nuts about the horses too. There’s something about it when they
come out and go up the track to the post. Sort of dancy and tight
looking with the jock keeping a tight hold on them and maybe easing
off a little and letting them run a little going up. Then once they
were at the barrier it got me worse than anything. Especially at San
Siro with that big green infield and the mountains way off and the
fat wop starter with his big whip and the jocks fiddling them around
and then the barrier snapping up and that bell going off and them all
getting off in a bunch and then commencing to string out. You know
the way a bunch of skins gets off. If you’re up in the stand with a
pair of glasses all you see is them plunging off and then that bell
goes off and it seems like it rings for a thousand years and then
they come sweeping round the turn. There wasn’t ever anything like it
for me.
Public-domain text, read in full here on John Shaqi.
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