Students of Art have had to practise self-denial in many ways. Quentin Matsys, having fallen in love with a painter's daughter, and determined to win her. Though but a blacksmith and a farrier, he studied art so diligently, and acquired so much distinction, that his mistress afterwards accepted the painter whom she had before rejected as the blacksmith. Flaxman, however, married his wife before he had acquired any distinction whatever as an artist. He was merely a skilful and promising pupil. When Sir Joshua Reynolds heard of his marriage, he exclaimed, "Flaxman is ruined for an artist!" But it was not so. When Flaxman's wife heard of the remark, she said, "Let us work and economize; I will never have it said that Ann Denbam ruined John Flaxman as an artist." They economized accordingly. To earn money, Flaxman undertook to collect the local rates; and what with art and industry, the patient, hard-working, thrifty couple, after five years of careful saving, set out for Rome together. There Flaxman studied and worked; there he improved his knowledge of art; and there he acquired the reputation of being the first of English sculptors. The greater number of artists have sprung from humble life. If they had been born rich, they would probably never have been artists. They have had to work their way from one position to another; and to strengthen their nature by conquering difficulty. Hogarth began his career by engraving shop-bills. William Sharp began by engraving door-plates. Tassie the sculptor and medallist, began life as a stone-cutter. Having accidentally seen a collection of pictures, he aspired to become an artist and entered an academy to learn the elements of drawing. He continued to work at his old trade until he was able to maintain himself by his new one. He used his labour as the means of cultivating his skill in his more refined and elevated profession. Chantry of Sheffield, was an economist both of time and money. He saved fifty pounds out of his earnings as a carver and gilder; paid the money to his master, and cancelled his indentures. Then he came up to London, and found employment as a journeyman carver; he proceeded to paint portraits and model busts, and at length worked his way to the first position as a sculptor. Canova was a stone-cutter, like his father and his grandfather; and through stone-cutting he worked his way to sculpture. After leaving the quarry, he went to Venice, and gave his services to an artist, from whom he received but little recompense for his work. "I laboured," said he, "for a mere pittance, but it was sufficient. It was the fruit of my own resolution; and, as I then flattered myself, the foretaste of more honourable rewards,--for I never thought of wealth." He pursued his studies,--in drawing and modelling; in languages, poetry, history, antiquity, and the Greek and Roman classics. A long time elapsed before his talents were recognised, and then he suddenly became famous.