The Russian novelists have been very faithful to their people.
Turgenieff, Dostoievski, Gorky, Tolstoy, and the rest of them take
one into the real Russia as one reads. It is a country peopled with
human beings who dream dreams and see visions, who have suffered more
cruelly and aspired more loftily than the people of most other European
countries.
The Narishkin Palace in which we were lodged is a fine house devoted to
the mistress of one of the Czars by her lover. It lies on the banks of
the Neva and faces, on the other side, the grim fortress of St. Peter
and St. Paul. I stood on the balcony and looked across the river at
the place of horrors where so many of Russia’s noblest men and women
had gone to their deaths, the poor victims of tyrant princes and their
ministers. The abominable cruelties practised upon the martyrs for
Russian freedom have been as familiar to one’s mind as the alphabet,
and for almost as long. One’s youngest, purest and best emotion has
been given throughout one’s life to those who have endured torture,
disgrace and death for truth and liberty.
I recalled a meeting with Volkhovsy in England, deaf and crippled
by his sufferings in this hideous fortress; of Prince Kropotkin,
one of the oldest of the surviving victims of Czarist tyranny; of
Madame Breshskovski, the “grandmother of the Revolution”; of Marie
Spirodovna, whose special sufferings as a young woman were loathsome
and unspeakable. In sad procession these figures of tortured and
wounded and dead passed silently before my eyes as I leaned over the
stone balcony and gazed into the red light of the sky behind the dark
fortress we were sometime soon to visit.
And into my dreams they pursued me. The room in the Narishkin Palace
which I shared with Madame Balabanov was once on a time a beautiful
_salon_. A scanty curtain which stretched only half-way across the room
made a pretence of dividing it in two and securing privacy for each of
us. Behind the curtain was the door which opened into the dining-room.
Close to my bed was a second door which led to the corridor, at the end
of which was a bedroom. There were neither long curtains nor blinds
to keep out the everlasting light. Some thin and inadequate muslin
was drawn across the lower half of the windows, but was too scanty to
afford any protection against observers in the building opposite.
On entering the room after the intense fatigue and excitement of the
long journey one felt its beauty comforting and refreshing. The fine
linen sheets, the soft silk hangings, the eiderdown bed-covers, the
thick velvety carpet, the quaint, carved and gilded furniture spoke of
gentle living utterly unlooked-for by us, and, to do ourselves justice,
undesired by us in a country full of people slowly dying for lack of
the barest necessaries. It was the most exaggerated kindness on the
part of our hosts, so anxious to make us comfortable and happy, to give
us the very best they possessed.
Public-domain text, read in full here on John Shaqi.
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