Through Colonial DoorwaysWharton, Anne Hollingsworth
History
Through Colonial Doorways
Wharton, Anne Hollingsworth
United States -- Social life and customs -- 1775-1783; United States -- Social life and customs -- To 1775
used by the Wharton family only during the summer months, may account
for the British officers having entire possession of the premises in
the spring of ’78, while its size and situation made it an appropriate
place in which to hold their revels. Surrounded by broad lawns and
lofty trees, situated at some distance west of the Delaware River, at
what is now Fifth Street near Washington Avenue, Walnut Grove was then
considered quite a rural residence. It has long since disappeared, the
encroaching streets of a busy city having rendered almost traditional
the theatre of this gay and brilliant scene, although there were those
still living, on the anniversary of the festival in 1878, who recalled
the old brick house as it stood in Colonial times, and one who slid
down the balusters of the stairway in boyish frolic, with never a
thought of all the gay and gallant throng which once passed over the
stairs and down the broad hall to the sound of music, merry jests,
courtly compliments, and rippling laughter.
It is said that there were not many ladies with the British officers
in Philadelphia, most of them having left their wives in New York;
so, there being few authorities to consult about the prevailing
fashions at the court of the beautiful Austrian or the less beautiful
Queen Charlotte, our young ladies were forced to rely upon their own
ingenuity in the arrangement of their toilets. Those chosen to be
knights’ ladies were assisted by the taste and skill of André, whose
water-color design for the costume of the ladies of the Blended Rose
is still preserved, representing a curious combination of Oriental
and Parisian styles, its flowing tunic over full Turkish trousers
being topped by the high _coiffure_ of the day. Miss Peggy Shippen’s
portrait[3] represents her in this head-dress, and in a letter written
to her in August, 1779, André playfully alludes to his millinery
experience gained during preparations for the _fête_:
“You know the Mesquianza made me a complete milliner. Should you
not have received supplies for your fullest equipment from that
department, I shall be glad to enter into the whole details of
cap-wire, needles, gauze, &c., and, to the best of my abilities,
render you in these trifles services from which I hope you would infer
a zeal to be further employed.”
A rash offer, it seems to us, for what knight, be he never so bold,
would be willing to enter into all the intricacies and mysteries of a
modern feminine toilet? And those of the days of powder, patch, and
high befeathered _coiffure_ were certainly not less bewildering to the
minds of the uninitiated.
Public-domain text, read in full here on John Shaqi.
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