Through Colonial DoorwaysWharton, Anne Hollingsworth
History
Through Colonial Doorways
Wharton, Anne Hollingsworth
United States -- Social life and customs -- 1775-1783; United States -- Social life and customs -- To 1775
Lances were shivered, pistols fired, and finally, in the midst of
an engagement with broadswords, Major Gwynne rode in between the
combatants, declaring that the ladies were abundantly satisfied with
the proofs of valor and devotion displayed by their respective knights.
These fell back, and, joining their companies, passed on, the White
Knights to the left, the Black to the right, saluting their ladies
when they reached the pavilions, after which they passed through the
triumphal arch, in honor of Lord Howe, and ranged themselves on either
side. This arch was elegantly painted with naval ornaments. At the top
was a figure representing Neptune, with his trident and a ship. In the
interior were the attributes of that god. On each side of the arch was
placed a sailor, with his sword drawn. Lord Howe being an admiral in
the service, these emblems were most appropriate.
The knights’ ladies passed under the arch after the knights, who
dismounted and joined them, all proceeding together along a broad
avenue, brilliantly decorated, to another arch of the same size and
elegance as the first, this in honor of Sir William Howe. “Upon passing
this second arch,” our journalist tells us, “we entered a beautiful
Flower-Garden and up a Gravel Court, ascended a flight of Steps which
conducted us into the House, at the door of which we were received by
the Managers of the Meschianza,--namely, Sir John Wrottesley, Sir
Henry Calder, Colonel O’Hara, and Colonel Montrésor.” André mentions
the same, except that he substitutes Major Gardiner for Sir Henry
Calder.
Two folding-doors were opened, and the company was ushered into a large
hall, brilliantly lighted, where tea, coffee, and cakes were served,
and where the knights upon bended knee received the favors due them
from their respective ladies. This scene must have been one of the most
graceful and charming of the whole pageant, and had it not been for
the remembrance of that dear Honora whose miniature he always wore,
André certainly could not have remained insensible to the manifold
attractions of Miss Peggy Chew, who now rewarded him for having
“perilled life and limb” in her service, and whose praises are thus
sung by Mr. Joseph Shippen:
“With either Chew such beauties dwell,
Such charms by each are shared,
No critic’s judging eye can tell
Which merits most regard.
“’Tis far beyond the painter’s skill
To set their charms to view;
As far beyond the poet’s quill
To give the praise that’s due.”
Public-domain text, read in full here on John Shaqi.
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