Through Colonial DoorwaysWharton, Anne Hollingsworth
History
Through Colonial Doorways
Wharton, Anne Hollingsworth
United States -- Social life and customs -- 1775-1783; United States -- Social life and customs -- To 1775
Major André, after describing the decorations of this supper-room,
says that “there were four hundred and thirty covers, twelve hundred
dishes, and twenty-four black slaves in Oriental dresses, with silver
collars and bracelets, ranged in two lines, and bending to the ground
as the general and admiral approached the saloon; all these, forming
together the most brilliant assemblage of gay objects, and appearing at
once as we entered by an easy descent, exhibited a _coup-d’œil_ beyond
description magnificent.”
Toward the end of supper, the herald of the Blended Rose, in his
habit of ceremony, attended by his trumpeters, entered the saloon
and proclaimed the King’s health, the Queen’s, and that of the royal
family. After the toast to the King, all the company rose and sang “God
Save the King,” which must have been a very trying moment to those Whig
ladies present, who through all the enjoyment of the day were doubtless
considerably pricked in their consciences. More loyal toasts followed,
to the army and navy, their commanders, and finally to the ladies and
their knights, the ladies’ toast being: “The Founder of the Feast.”
We are pained to read that some of the gentlemen, among them one of
the same party as our quaint journalist, were so ungallant as to
remain at table, declaring their intention of devoting the night to
Bacchus,--alas for Venus! The guests did not disperse until dawn began
to redden the eastern sky, and some tarried until the sun was up.
Here I cannot forbear transcribing some verses written by a lady--Miss
Hannah Griffitts--residing in Philadelphia at this time, in which,
though an ardent loyalist, she, as a member of the Society of Friends,
expressed her indignation against the whole affair. The poem is in
answer to the question, “What is it?” and the Quaker lady’s reply rings
forth with no uncertain sound.
“A shameful scene of dissipation,
The death of sense and reputation;
A deep degeneracy of nature,
A frolic ‘for the lush of satire.’
A feast of grandeur fit for kings,
Formed of the following empty things:
Ribbons and gewgaws, tints and tinsel,
To glow beneath the historic pencil;
(For what though reason now stands neuter,
How will it sparkle,--page the future?)
Heroes that will not bear inspection,
And glasses to affect reflection;
“Triumphant arches raised in blunders,
And true Don Quixotes made of wonders.
Laurels, instead of weeping willows,
To crown the bacchanalian fellows;
The sound of victory complete,
Loudly re-echoed from defeat;
The fair of vanity profound,
A madman’s dance,--a lover’s round.
“In short, it’s one clear contradiction
To every truth (except a fiction);
Condemned by wisdom’s silver rules,
The blush of sense and gaze of fools.
“But recollection’s pained to know
That ladies joined the frantic show;
When female prudence thus can fail,
It’s time the sex should wear the veil.”
Public-domain text, read in full here on John Shaqi.
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