Through Hell with Hiprah Hunt: A Series of Pictures and Notes of Travel Illustrating the Adventures of a Modern Dante in the Infernal Regions; Also Other Pictures of the Same Subterranean WorldYoung, Art
Philosophy
Through Hell with Hiprah Hunt: A Series of Pictures and Notes of Travel Illustrating the Adventures of a Modern Dante in the Infernal Regions; Also Other Pictures of the Same Subterranean World
Young, Art
American wit and humor; Hell -- Humor
Coming out of the cavern, spoken of in the preceding Canto, the explorer
crosses the distant bridge and enters another densely wooded region.
Here he finds the souls of those who are not quite bad enough to be
punished severely, but are allowed to exist “desiring without hope.” He
is approached by shrouded spirits who describe themselves as a school of
poets, and instantly recalling how Dante in his peregrinations ran
across Homer, he enquires for that worthy.
He learns that this is quite another group to that in which the ancient
bard moves. These are the unworthies who spent their time on earth
writing bad poetry when they would have been better engaged sawing wood
or washing dishes.
[Illustration]
[Illustration: CONFIRMED WRITERS OF BAD POETRY.]
_CANTO VII._
In the same vicinity Mr. Hunt finds a soul chained to a rock, wearing a
heavy sheet-iron dunce cap.
This is the man who was fond of playing jokes on others, but who was
wont to become furious when the joke was on himself. The explorer asks
him a few questions and passes on, leaving the captive strangely
perplexed.
[Illustration]
[Illustration: A JOKE ON A JOKER.]
_CANTO VIII._
Mr. Hunt reaches the boundary of the forest and finds himself
overlooking a vast arena in which as far down as he can see there reigns
a scene of wild activity.
The picture on the opposite page was drawn from a crude and indistinct
diagram made by Mr. Hunt. The artist does not vouch for the correctness
of every detail in the drawing, having restored many signs and placards
which in Mr. Hunt’s original were almost obliterated.
[Illustration]
[Illustration: A THICKLY POPULATED CORNER.]
_CANTO IX._
The explorer now determines to find Satan. To avoid the difficulties
that Dante met with, it is Mr. Hunt’s purpose to get a permit to pass
through the Empire from the Devil himself. Though Demons pursue him with
persistency he succeeds in reaching a huge arched entrance in an immense
purple rock. Over it is a blazing inscription reading: “Satan’s office.”
Here Mr. Hunt pauses. For a moment he is afraid. He regains his courage,
and, mounting an elaborate fire-escape, enters. “As a night-hawk cleaves
a side flight in the sky,” says the poet-explorer, “so the great
arch-enemy of mankind wheeled round in his chair as I entered.”
Hiprah Hunt finds himself in great danger of being cast into Hell-fire
before he can make known the object of his presence. When he explains
that he has been a lifelong expounder of the future punishment theory,
that his purpose is to explore the region and go back to earth with the
proof of his belief, Satan shows great courtesy. He immediately
telephones to the heads of the departments in his realm to assemble at
Plutoblitzz, the Central Station of the region, and to receive Mr. Hunt
with a great ovation.
[Illustration]
[Illustration: HIPRAH HUNT IN THE PRESENCE OF THE DEVIL.]
_CANTO X._
Public-domain text, read in full here on John Shaqi.
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