Emily's pain seemed to be somewhat soothed by these words, and perhaps still more by the tone of deep feeling in which they were uttered. She had seated herself in the chair on the back of which her little hand was still trembling; her tears began to flow abundantly; she permitted Oswald, who was bending over her, to kiss her hand while he continued to implore her forgiveness for his insanity--as he called it--in low words, which became every moment more passionate and more tender. Her sobs subsided, like the sobbing of a little girl who feels at last that the doll which she was refused is laid in her arms amid kisses and caresses. Both Oswald and Emily seemed to have entirely forgotten that they were in a strange house, where the very next moment might prepare for them most serious embarrassment, and they were fortunate indeed that an unexpected and most ludicrous accident recalled them to their ordinary prudence, which they had completely lost in the intoxicating joy of the first blending of heart and heart. Suddenly a cry--a yell--was heard in the adjoining room, and Oswald and Emily started in horror, both thinking almost instinctively that the poetess was wrapped in flames, and on the point of death. The first glance as they drew aside the curtain taught them, however, that the poetess was not in any danger of her life, and as they approached more closely they saw what had happened. Primula had given herself up so completely to the admiration of a successful stanza which had received at the last moment and by the insertion of an indescribably pathetic epithet a most marvellous additional charm, that she had committed a mistake, such as will happen to great minds, and to them most easily of all. She had intended to take up the sand-box, and she had taken the inkstand and poured its copious contents to the last drop over her manuscript, and thence in a black cascade over the whole breadth of her yellow-silk dress! And there she was standing now--the cruelly ill-treated sufferer--silent after the first anguish had forced her to utter that cry raising her sadly inked hands and her watery blue eyes overflowing with tears to the ceiling, as if she wished to call upon father Apollo himself to be a witness of the terrible fate that had befallen one of his most favored children. Oswald and Emily could hardly restrain their laughter; but all their efforts to preserve their composure became useless in an instant, when the poetess in tragic grief pressed both her hands upon her face, and a moment afterwards stood before them covered with terrible paint, like the wildest warrior of the wildest tribe of Indians. "Do not laugh, my friends," said the offended lady, with gentle voice; "it does not become the friends of persecuted genius to belong to that sad world which loves to blacken----"