Through Our Unknown Southwest: The Wonderland of the United States—Little Known and Unappreciated—The Home of the Cliff Dweller and the Hopi, the Forest Ranger and the Navajo,—The Lure of the Painted DesertLaut, Agnes C.
History
Through Our Unknown Southwest: The Wonderland of the United States—Little Known and Unappreciated—The Home of the Cliff Dweller and the Hopi, the Forest Ranger and the Navajo,—The Lure of the Painted Desert
Laut, Agnes C.
Hopi Indians; Navajo Indians; Southwest, New -- Description and travel
What a pity so many of us have an early impress of religion as of
vinegar aspect and harsh duty hard as flint and unhuman as a block of
wood. This Mother Superior is merry-faced and red-blooded and human and
dear. She evidently believes that goodness should be warmer, dearer,
truer, more attractive and kindly than evil; and all the little Indian
wards of the four schoolrooms look happy and human and red-blooded as
the Mother Superior.
A collie pup flounders round us up and down the court walk where the old
missionary monks suffered cruel martyrdom. Poll, the parrot, utters
sententious comment; and the Shetland ponies whinny greetings to their
mistress. All this does not sound like vinegar goodness, does it?
But it is when you enter the church that you get the real surprise.
Three times, the desertion of this Mission was forced by massacre and
pillage. Twice it was abandoned owing to the expulsion of Jesuit and
Franciscan by temporal power. For seventy years, the only inhabitants of
a temple stately as the Alhambra were the night bats, the Indian
herders, the border outlaws of the United States and Mexico. Yet, when
you enter, the walls are covered with wonderful mural painting. Saints'
statues stand about the altar, and grouped about the dome of the groined
ceiling are such paintings as would do honor to a European Cathedral.
The brick and adobe walls are from two to six feet thick. Not a nail has
ever been driven in the adobe edifice. The doors are of old wood in huge
panels mortised and dovetailed together. The latch is an iron bar carved
like a Damascus sword. The altar is a mass of gilding and purple. To be
sure, the saints' fingers have been hacked off by wandering cowboy and
outlaw and Indian; but you find that sort of vandalism in the British
Museum and Westminster Abbey. The British Museum had careful
custodians. For over seventy years, this ancient Mission stood open to
the winds of heaven and the torrential rains and the midnight bats. Only
the faithfulness of an old Indian chief kept the sacred vessels from
desecration. When the fathers were expelled for political reasons, old
Jose, of the Papagoes, carried off the sacred chalices and candles till
the _padres_ should return, when he brought them from hiding.
Public-domain text, read in full here on John Shaqi.
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