Through Our Unknown Southwest: The Wonderland of the United States—Little Known and Unappreciated—The Home of the Cliff Dweller and the Hopi, the Forest Ranger and the Navajo,—The Lure of the Painted DesertLaut, Agnes C.
History
Through Our Unknown Southwest: The Wonderland of the United States—Little Known and Unappreciated—The Home of the Cliff Dweller and the Hopi, the Forest Ranger and the Navajo,—The Lure of the Painted Desert
Laut, Agnes C.
Hopi Indians; Navajo Indians; Southwest, New -- Description and travel
Long ago, men proved their superiority to other men by butchering each
other in hordes and droves and shambles; Alva must have had a good
100,000 corpses to his credit in the Netherlands. To-day, men make good
by conquering the elements. For four hours, this little Colorado road
has been cork-screwing up the face of a mountain pretty nearly sheer as
a wall; and for every twist and turn and tunnel, some engineer fellow on
the job has performed mathematical acrobatics; and some capitalist
behind the engineer--the man behind the modern gun of conquest--has paid
the cost. In this case, it was David Moffat paid for our dance in the
clouds--a mining man, who poked his brave little road over the mountains
across the desert towards the Pacific.
[Illustration: From a lookout point in the Coconino Forest of Arizona]
You come through those upper tunnels still higher. Below, no longer lie
the plains, but seas of clouds; and it is to the everlasting credit of
the sense and taste of Denver people, that they have dotted the outer
margin of this rock wall with slab and log and shingle cottages, built
literally on the very backbone of the continent overlooking such a
stretch of cloud and mountain and plain as I do not know of elsewhere in
the whole world. In Sundance Canyon, South Dakota, summer people have
built in the bottom of the gorge. Here, they are dwellers in the sky.
Rugged pines cling to the cliff edge blasted and bare and wind torn; but
dauntlessly rooted in the everlasting rocks. Little mining hamlets
composed of matchbox houses cling to the face of the precipice like
cardboards stuck on a nail. Then, you have passed through the clouds,
and are above timber line; and a lake lies below you like a pool of pure
turquoise; and you twist round the flank of the great mountain, and
there is a pair of green lakes below you--emerald jewels pendant from
the neck of the old mountain god; and with a bump and a rattle of the
wheels, clear over the top of the Continental Divide you go--believe me,
a greater conquest than any Napoleon's march to Moscow, or Alva's
shambles of headless victims in the Netherlands.
You take lunch in a snow shed on the very crest of the Continental
Divide. I wish you could taste the air. It isn't air. It's champagne. It
isn't champagne, it's the very elixir of life. There can never be any
shadows here; for there is nothing to cast the shadow. Nightfall must
wrap the world here in a mantle of rest, in a vespers of worship and
quiet, in a crystal of dying chrysoprase above the green enameled lake
and the forests below, looking like moss, and the pearl clouds, a sea of
fire in the sunset, and the plain--there are no more plains--this is the
top of the world!
Public-domain text, read in full here on John Shaqi.
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