South America -- Description and travel; South America -- History
The great cathedral and the government palace of the same period flank
two sides of the Plaza Mayor. On the third side stands the city hall,
above which are the balconies of the principal social clubs. Near by is
the old Inquisition building. In the high-domed and mahogany-paneled
room in which the Holy Office sat, the Senate now holds its sessions and
signs the laws of the republic on the very table whence in the old days
were issued warrants for _autos da fé_, and the legislators now hang
their hats in the former torture chamber, in fine disregard of the
horrors it once witnessed. There is a venerableness attached to the old
churches and convents abounding in Lima which makes one hope that the
exigencies of modernism may not demand the destruction of these splendid
relics of colonial architecture.
[Illustration: PLAZA MAYOR, LIMA.]
The Plaza Mayor was the very heart of the brilliant colonial régime. The
courtly Dons of these days, many of whom are descendants of the
principal courtiers of that period, still are delighted to tell of the
brilliance of the viceregal court under the Marquis de Cañete or the
Duke de Palata, or the dilettante Prince de Esquilache—a court that was
the talk of two continents. In the gorgeous salons of the old palace the
gayety reached its height in the days of the Viceroy Amat. It is not
surprising to learn that the deposed Ferdinand VII would gladly have
followed the example of the Portuguese king and moved with his court to
his new-world capital had he been able to escape from the grasp of
Napoleon. At one corner is the site of the house in which Pizarro fought
in vain with his assassins. His skeleton now lies in a glass case in the
cathedral, exposed to the visitor’s astonished gaze. In the center of
the Plaza a beautiful bronze fountain has stood for three hundred years,
untouched by the strife that surged about it as each new period of
Peru’s stormy career was ushered in.
In the Plaza de la Exposición, on the Paseo Colón and in other parks and
boulevards are erected the statues of the nation’s heroes, and other men
who have made Peru’s history—Christopher Columbus, the two Liberators,
San Martín and Bolívar, Colonel Bolognesi, who fell in the war with
Chile, refusing to surrender “until we have burned our last cartridge,”
and many others. The Paseo Colón runs through the fashionable residence
section. It is one hundred and fifty feet wide and connects the Plazas
Bolognesi and Exposición. Through the center runs a garden bordered with
superb trees and artistically laid out flower-beds and flowering bushes,
and interspersed at intervals with monuments, pillars, and fountains.
The present day parade of the _gente decente_ gives the visitor a
picture of beautiful women and well-groomed equipages that measures up
to the best traditions of Peru’s social eminence. In the heart of the
city is the great bull ring, where once society gathered for other
purposes than merely to take the air.
Public-domain text, read in full here on John Shaqi.
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