Through the Casentino with Hints for the TravellerEckenstein, Lina
History
Through the Casentino with Hints for the Traveller
Eckenstein, Lina
Casentino (Italy) -- Description and travel; Tuscany (Italy) -- Description and travel
Marsilio Ficino, whom he is here described as having met on his way from
Rome, was the greatest Hellenist of his age and the keenest intellect
among the older Florentine humanists. Small, frail and visionary, he
combined in himself the qualities that distinguish and endear the
typical scholar--patience, sagacity, preciseness, extreme modesty and a
high tone of mental elevation. His fame rests on his translation into
Latin of the works of Plato, and he was the colleague of Landini at the
Florentine Academy, where he taught Greek. In the large fresco of
Domenico Ghirlandajo in Santa Maria Novella at Florence, Marsilio Ficino
and Landini are both represented among the painter’s distinguished
contemporaries.
Such were the men who met together at the hermitage of Camaldoli,
upwards of four hundred years ago, rejoicing in the thought of spending
a few days together. On the first day they rested. On the next they
attended mass, and then they sallied forth into the forest, and there,
under a spreading beech, they sat down and Leone Battista opened the
discussion. Starting from the fact that the responsibilities of public
life were about to devolve on the two young Medici owing to the
ill-health of their father, he spoke of the duties of a citizen, and
passed on to compare the respective merits of a life of activity and of
a life of contemplation. This was a favourite subject of discussion at
the time, and Leone Battista ended by pronouncing in favour of
contemplation, a view which was in accordance with Plato’s ideality and
with the Christian exaltation of Mary above Martha. On the following day
the same subject was discussed in the same company, and on the days
after they spoke of the greatest good and of the true aim of human
existence. No doubt these _Conversations_ are largely of Landini’s
making, but they were much appreciated by his contemporaries, and
Marsilio Ficino is known to have admired them greatly. They were often
reprinted at that period; now they have fallen into oblivion, and only
the student now and again disturbs the dust which accumulates round them
on the bookshelf.
Public-domain text, read in full here on John Shaqi.
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