Through the gates of the silver keyLovecraft, H. P. (Howard Phillips)
Science
Through the gates of the silver key
Lovecraft, H. P. (Howard Phillips)
Fantasy fiction; Horror tales; Paranormal fiction
And now, in that rise of masonry to which his eyes had been so
irresistibly drawn, there appeared the outline of a titanic arch not
unlike that which he thought he had glimpsed so long ago in that cave
within a cave, on the far, unreal surface of the three-dimensioned
Earth. He realized that he had been using the silver key--moving it in
accord with an unlearned and instinctive ritual closely akin to that
which had opened the Inner Gate. That rose-drunken sea which lapped
his cheeks was, he realized, no more or less than the adamantine mass
of the solid wall yielding before his spell, and the vortex of thought
with which the Ancient Ones had aided his spell. Still guided by
instinct and blind determination, he floated forward--and through the
Ultimate Gate.
CHAPTER 4
Randolph Carter's advance through that cyclopean bulk of masonry was
like a dizzy precipitation through the measureless gulfs between the
stars. From a great distance he felt triumphant, god-like surges of
deadly sweetness, and after that the rustling of great wings, and
impressions of sound like the chirpings and murmurings of objects
unknown on Earth or in the solar system. Glancing backward, he saw not
one gate alone, but a multiplicity of gates, at some of which clamored
Forms he strove not to remember.
And then, suddenly, he felt a greater terror than that which any of the
Forms could give--a terror from which he could not flee because it was
connected with himself. Even the First Gateway had taken something of
stability from him, leaving him uncertain about his bodily form and
about his relationship to the mistily defined objects around him, but
it had not disturbed his sense of unity. He had still been Randolph
Carter, a fixed point in the dimensional seething. Now, beyond the
Ultimate Gateway, he realized in a moment of consuming fright that he
was not one person, but many persons.
He was in many places at the same time. On Earth, on October 7, 1883,
a little boy named Randolph Carter was leaving the Snake Den in the
hushed evening light and running down the rocky slope, and through
the twisted-boughed orchard toward his Uncle Christopher's house in
the hills beyond Arkham; yet at that same moment, which was also
somehow in the earthly year of 1928, a vague shadow not less Randolph
Carter was sitting on a pedestal among the Ancient Ones in Earth's
transdimensional extension. Here, too, was a third Randolph Carter,
in the unknown and formless cosmic abyss beyond the Ultimate Gate.
And elsewhere, in a chaos of scenes whose infinite multiplicity and
monstrous diversity brought him close to the brink of madness, were a
limitless confusion of beings which he knew were as much himself as the
local manifestation now beyond the Ultimate Gate.
Public-domain text, read in full here on John Shaqi.
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