Through the mill: The life of a mill-boyBrown, Frederic Kenyon
Philosophy
Through the mill: The life of a mill-boy
Brown, Frederic Kenyon
Child labor -- United States; Cotton manufacture -- United States; Textile workers -- United States
The height of romance for me, however, was in the person of Joe, a real
stowaway. He was found on the second day out, and was given the task
of peeling the steerage potatoes, a task that kept him busy enough
throughout the day. My mouth went open to its full extent, when, after
helping him with his potatoes, he would reward me by paring off thick
slices of callouse from his palms. Joe said to me, “Never mind, lad, if
I work hard they’ll sure land me in Boston when we arrive. I’m going to
wark hard so they’ll like me. I do want to go to the States!”
In the women’s cabins, where I had my berth, they held evening concerts
of a very decided pathetic kind. Like minor tunes, they always ended
in a mournful wailing; for many of the women knew tragedies at first
hand, and were in the midst of tragedy, so that their songs and humors
were bound to be colored by despair. Carrie Bess, a stout woman whose
white neck was crumpled in folds like a washboard, had wit enough
to change the somberness of a morgue. She was usually the presiding
officer in charge of the concerts. She was on her way to rejoin her
husband, though she did not know where he was, but she said, “I’ll get
on the train and have it stop in Texas where Jek (Jack) is.” And with
this indefinite optimism she threw care to the winds and frolicked. She
would throw herself astride a chair, wink at us all, open her mouth
like a colored minstrel, and sing lustily,
“It’s very hard to see a girl
Sitting on a young man’s knee.
If I only had the man I love,
What a ’apy girl I’d be!”
Then, when the program had been gone through, with the oft-repeated
favorites, like Carrie Bess’ “It’s Very Hard,” the concert would always
close with an old sea song that somebody had introduced, a song which,
as I lay in my berth and sleepily heard it sung under those miserable
swinging lamps, amid the vitiated atmosphere of the cabin, and with the
sea sounds, wind, splash of waves, and hissing steam, summed up all the
miserable spirit of isolation on a great ocean:
“Jack was the best in the band,
Wrecked while in sight of the land,
If he ever comes back, my sailor boy, Jack,
I’ll give him a welcome home!”
When the numbered sails of pilots hove in sight, and the lightships,
guarding hidden shoals with their beacon masts, were passed, the
steerage began to get ready for its entrance in the land of dreams. The
song went up, every throat joining in:
“Oh, we’re going to the land where they pave the streets with money,
la, di, da, la, di, da!”
Finally we sighted a golden band in the distance, a true promise of
what we expected America to be. It was Nantasket Beach. That made us
put on our Sunday clothes, tie up our goods, and assemble at the rail
to catch a further glimpse of the great paradise. An American woman
gave me a cent, the first bit of American money my fingers ever touched.
Public-domain text, read in full here on John Shaqi.
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