Through the mill: The life of a mill-boy — John Shaqi
Through the mill: The life of a mill-boyBrown, Frederic Kenyon
Philosophy
Through the mill: The life of a mill-boy
Brown, Frederic Kenyon
Child labor -- United States; Cotton manufacture -- United States; Textile workers -- United States
Outside of school hours there were merry times, scraping sparks on the
stone flags with the irons of our clogs, going to the butcher’s every
Tuesday morning, at the slaughter-house, where he gave us bladders to
blow up and play football with; and every now and then he would ask us
to lay hold of the rope and help in felling a bull across the block.
The only apple I ever saw growing in England hung over a brick wall in
a nest of leaves--a red crab no bigger than a nutmeg. I used to visit
that wall with my companions, but not to try for that apple--it was too
sacred in our eyes for that--but to admire it, as it bent up and down
in the wind, and to wonder how many more were inside the wall among the
larger branches. On Saturdays, after I had brightened the stone hearth
with blue-stone and sand, I went out to greet the Scotch bag-piper who,
with his wheezy pibroch, puffed out like a roasted Christmas goose,
perambulated down our road so sedately that the feather in his plaid
bonnet never quivered. As this did not take up all the morning, we
borrowed bread-knives from our families, and went to the fields, where
we dug under the sod, amongst the fresh, damp soil, for groundnuts,
while the soaring lark dropped its sweet note down on us.
But the gala days were the holidays, filled as only the English know
how to fill them with high romance and pure fun. There were the
Sunday-school “treats,” when we went to the fields in holiday clothes
and ran, leaped, and frolicked for prize cricket balls and bats, and
had for refreshment currant buns and steaming coffee. There was the
week at the seashore, when aunt and uncle treated me to a rake, shovel,
and colored tin pail, for my use on the shore in digging cockles,
making sand mountains, and in erecting pebble breastworks to keep
back the tide. To cap all else as a gala opportunity, full of color,
noise, music, and confusion, came Glossop Fair, to which I went in
a special train for children. There I dodged between the legs of a
bow-legged, puffy old man to keep up with the conductor of our party,
and I spent several pennies on shallow glasses filled with pink ices,
which I licked with such assiduity that my tongue froze at the third
consecutive glass. I was always given pennies enough to be able to
stop at the stalls to buy a sheep’s trotter, with vinegar on it; to
eat a fried fish, to get a bag of chipped potatoes, delicious sticks
of gold, covered with nice-tasting grease, and to buy a Pan’s pipe, a
set of eight-reed whistles on which, though I purchased several sets,
I was never able to attain to the dignity and the thrill of so simple
a tune as “God Save the Queen.” The grand climax of the fair, the very
_raison d’être_, were the fairy shows, held under dirty canvases, with
red-nosed barkers snapping worn whips on lurid canvases whereon were
pictured: “Dick Whittington and His Cat,” at the famous milestone, with
a very impressionistic London town in the haze, but inevitable for
Public-domain text, read in full here on John Shaqi.
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