Through the Postern Gate: A Romance in Seven DaysBarclay, Florence L. (Florence Louisa)
General
Through the Postern Gate: A Romance in Seven Days
Barclay, Florence L. (Florence Louisa)
England -- Social life and customs -- Fiction; Love stories
The Professor always entered by the front door, placed his umbrella in
the stand, wet or shine; left his goloshes on the mat: hung up his cap
and gown, and followed Jenkins into the drawing-room. Though he had
called regularly, twice a week, during the last dozen years--first on
his old friend and tutor, Professor Charteris; after his death, on his
widow and daughter; and, when Miss Charteris was left alone, on herself
only--he never failed to knock and ring; nor did he ever enter
unannounced.
The Boy had dashed in at the garden gate on the occasion of his second
visit, and appeared to consider that he had thus created a precedent
which should always be followed.
Once, and once only--on her thirtieth birthday--the Professor had
brought Miss Charteris a bouquet; but, being very absent-minded, he
deposited the bouquet on the mat, and advanced into the drawing-room
carrying his goloshes in his left hand. Having shaken hands with his
right, he vaguely presented the goloshes. Miss Charteris, never at a
loss where her friends were concerned, took the Professor's goloshes
from his hand, carried them out into the hall, found the bouquet on the
mat, and saved the situation by putting the flowers in water, and
thanking the Professor with somewhat more hilarity than the ordinary
presentation of a bouquet would have called forth.
But to return to the second day. The Boy arrived in flannels, and tea
was a merry meal. The Boy wanted particulars concerning the marriage,
which had taken place a year or so before, between Martha--maid of
thirty years' standing, now acting as cook-housekeeper to Miss
Charteris--and Jenkins, the butler. The Boy wanted to know which
proposed, Jenkins or Martha; in what terms they announced the fact of
their engagement, to Miss Charteris; whether Jenkins ever "bucked up
and looked like a bridegroom," and whether Martha wore orange-blossom
and a wedding veil. He extorted the admission that Christobel had been
present at the wedding, and insisted on a detailed account; over which,
when given at last, he slapped his knee so often, and went into such
peals of laughter, that Miss Charteris glanced anxiously towards the
kitchen and pantry windows, which unfortunately looked out on the
garden.
The Boy expatiated on his enthusiastic admiration for Martha; but at
the same time was jolly well certain he would have bolted when it came
to "I, Martha, take thee, Jenkins," had he stood in the latter's shoes.
Miss Charteris did not dare admit, that as a matter of fact the
sentence had been: "I, Martha, take thee, Noah." That the meek Jenkins
should possess so historical and patriarchal a name, would completely
have finished the Boy, who was already taking considerable risks by
combining much laughter with an unusually large number of explosive
buns.
The Boy would have it, that, excepting in the rôle of bride and
subsequent conjugal owner and disciplinarian, Martha was perfect.
Public-domain text, read in full here on John Shaqi.
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