X. is a well-developed boy of fifteen, but there is something
peculiar about his physiognomy which defies analysis. If his
mother's statements can be trusted, he is intelligent, quick,
witty, sound in judgment, and blessed with an excellent memory.
From the very first he has been eccentric, timid, and
hypersensitive, and is to-day as tender-hearted and affectionate to
his people as ever. He has various little "manias" of his own; he
must have a knife, fork, and spoon for himself, and cannot take his
food in comfort if they have been set before some one else. Each
morning he dresses himself with extreme deliberation, then comes
down to breakfast, of which, however, he will not partake unless he
has touched all the door handles on his way. This little matter has
developed into an obsession. His loathing of cold water is so
pronounced that his morning toilet is rather a stormy proceeding,
and as he is too old to be washed by his mother, the inevitable
result is that his face and hands are never clean. At school he is
both attentive and docile, finding pleasure in his study of the
classics, but evincing a perfect passion for German. Anything
German is a source of ineffable joy, so much so that he hugs his
dictionary with childish exuberance. He listens deferentially to
his teachers, but takes no note of what he hears. In German, Greek,
and Latin he is at the head of his class, whereas in history and
mathematics he is at the foot.
The "nervous movements" for which he has been brought to the
consulting-room consist of a series of gesticulations akin both to
tic and to chorea. Some are much more frequent than others,
meaningless gestures executed spontaneously, one might almost say
unconsciously. As he walks to school with his books under his left
arm, his right hand roams over his person; and in the class-room
the movements are repeated. At table he rubs his back against the
chair, and alternately flexes and extends his right leg. Apart from
these "habit tics," he exhibits actual twitches of his muscles
generally, and evidence of the consequent disturbance of his
movements is furnished by a glance at his untidy bedroom, his
disarranged books, his blotted papers, his slovenly clothes. When
he goes out with his parents, he is never at their side, but
lounges along in his own way, then suddenly hurries to regain his
place by them, falling back again and occupying himself by crossing
his legs, knocking his ankles together, shrugging his shoulders,
grimacing, etc. All the movements can be arrested for a time by an
effort of the will. At any one's behest he can maintain
tranquillity for a minute, but the strain is too severe, and the
muscular dance recommences sooner or later.
Public-domain text, read in full here on John Shaqi.
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