A case that has come under our own notice is worth mentioning because of
its peculiarity and instructiveness. The patient was an artistic,
well-educated, and well-travelled man, gifted to a remarkable degree
with the faculty of assimilation. Apart from genuine tics in the shape
of sudden jerks of face, arm, or leg, he had acquired the trick of
accompanying his conversation with a peculiar mimicry of its content.
Not satisfied with providing a gesture for nearly every word, he
divided the words themselves into syllables for each of which he had an
appropriate action, whence arose a series of mimicry puns of most
unexpected effect.
For instance, during the enunciation of the following sentence, "We were
on a paddle steamer, with captain, commissaire, and doctor," he first of
all imitated the movement of paddles; he then put his hand, with three
fingers apart, to his forehead (the captain's cap has three lace bands);
to mimic the word commissaire he shook hands with himself
(_commissaire_--_comme il serre_); to express the word doctor he
pretended to touch imaginary breasts on his body (_médecin_--_mes deux
seins_); and so on throughout all his conversation.
Voluntary execution of these puns had been succeeded by complete
automatism, yet they were not tics, because, however singular the
mimicry, it was appropriate; whereas his facial grimaces, the shrugging
of his shoulders, the tapping of his heels, repeated every minute for no
reason or purpose, were real tics.
If, when asked what a rattle is, we make a turning movement with our
hand, or if when asked to explain the word _brandebourg_ we indicate an
imaginary arrangement of braid on our coat--these two experiments always
succeed--we are attempting to express an idea by mimicry at the actual
moment of its arising in the mind; but the subject of a tic--which may
primarily have been the representation by mimicry of an idea--continues
the gesture long after the idea which provoked it has vanished.
A woman speaking with animation at a telephone will make with face or
hand a thousand useless gestures, useless since her friend cannot see
them, but they are not tics, even though they may be justly described as
functional, automatic, superfluous, and inopportune. If we are normally
constituted, we betray a pleasant idea by a smile, we express our
conviction by an appropriate gesture of affirmation; if we smile or
gesticulate with no motive for doing either, we have begun to tic. It is
not sufficient that the act be untimely at the moment of execution; we
must be persuaded that it no longer stands in any relation to the idea
which called it forth at the first, and that its repetition is
excessive, its inappositeness constant, its performance urgent, and its
inhibition transient, before we can say it is a tic.
Public-domain text, read in full here on John Shaqi.
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