American fiction -- 20th century; Gold mines and mining -- Fiction; Western stories
She heard him coming. More than that, and before, it seemed to her that
her instinct told her that he would come, bearing down upon her like a
hurricane, in such violence as would stamp her into the earth. She had
not meant to laugh at him; she did not want to laugh. And yet now all
that she could do was clap her hands over her mouth and run before him
as a blown leaf races before the storm. She sped down the hall, plunged
into her room, slammed the door after her.
... And in the hallway she heard the pounding of his heavy boots.
Already he was at her door. Before she could shoot the bolt, he had
gripped the knob. When he flung his weight against the panel, it flew
back, and under the impact she was thrown backward, and would have
fallen had it not been that she brought up against her bed. Here she
half fell, but was erect before he had stormed across the threshold.
"You...."
Why had she run from him? She was not afraid of him and she was not
afraid of anything on earth. Or, at least, making a sort of religion
out of it, that was the thing which she had always told herself. Just
at hand, on the little table by the open window, was her revolver. And
she could shoot and shoot true to the mark. She had told Babe Deveril
that she could take care of herself. She stood, rigid and defiant, and
in her heart unafraid.
On a bracketed shelf over her bed was a kerosene lamp which she had
left burning when she had gone out. She could see the working of his
lips. And he saw her.
Now those who knew Timber-Wolf best knew this about him--that he had
no use for womankind; that he held all of the female of the human race
to be weaklings and worse, leeches upon the strength of man, mere
outwardly glossed tricks of a scheming nature; things contemptible.
And at this moment, surely, Timber-Wolf was in no mood to revise for
the better his sweeping and deep-based opinion. But now, despite all
trumped-up reasonings, no matter how sincere, his first clear view of
this girl gave him pause.
She was superb. Physically, if not otherwise. For the first thing, her
hair snared him. Strong men are always caught by films; a big brute
of a man who may break his triumphant way through iron bands grows
powerless under a frail wisp of a frail woman's hair. In the hall
she had held her hat in her hands; her hair, loosely upgathered and
insecurely and hastily confined, had tumbled all about her face as she
bolted into her room. He saw that first of all. And then he saw her
eyes. At the moment, already in her room with the door slammed shut
behind him and his back against it, he looked, glowering, into her
eyes. And he found them at once soft and still amazingly unafraid;
those daring eyes of Lynette Brooke, daughter of a dancing-girl and of
the dare-all miner, Brooke. Unafraid, though he who might have choked
the life out of her between finger and thumb, turned his furious face
upon her.
Public-domain text, read in full here on John Shaqi.
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