Time and Clocks: A Description of Ancient and Modern Methods of Measuring Time — John Shaqi
Time and Clocks: A Description of Ancient and Modern Methods of Measuring TimeCunynghame, Henry H. (Henry Hardinge), Sir
Philosophy
Time and Clocks: A Description of Ancient and Modern Methods of Measuring Time
Cunynghame, Henry H. (Henry Hardinge), Sir
Clocks and watches; Time
The reader is probably aware that sounds are produced by very rapid
pulsations of the air. Any series of taps becomes a continuous sound
if it is only rapid enough. For example, if I tap a card at the rate
of 264 times in a second, I should get a continuous sound such as that
given by the middle C note of the piano. That, in fact, is the rate
at which the piano string is vibrating when C is struck, and that
vibration it is that gives the taps to the air by which the note is
produced.
This can be very easily proved. For if you lift up the end of a bicycle
and cause the driving wheel to spin pretty rapidly by turning the pedal
with the hand, then the wheel will rotate perhaps about three times in
a second. If a visiting card be held so as to be flipped by the spokes
as they fly by, since there are about thirty-six of them, we should
get a series of taps at the rate of about 108 a second. This on trial
will be found to nearly correspond to the note A, the lowest space on
the bass clef of music. As the speed of rotation is lowered, the tone
of the note becomes lower; if the speed is made greater, the pitch of
the note becomes higher, and the note more shrill. However far or near
the card is held from the centre of the wheel makes no difference, for
the number of taps per second remains the same. So, again, if a bit of
watch-spring be rapidly drawn over a file, you hear a musical note. The
finer the file, and the more rapid the action, the higher the note. The
action of a tuning fork and of a vibrating string in producing a note
depends simply on the beating of the air. The hum of insects is also
similarly produced by the rapid flapping of their wings.
It is an experimental fact that when a piano note is struck, as the
vibration gradually ceases the sound dies away, but the pitch of the
note remains unchanged. A tune played softly, so that the strings
vibrate but little, remains the same tune still, and with the same
pitch for the notes.
A “siren” is an ingenious apparatus for producing a series of very
rapid puffs of air. It consists of a small wheel with oblique holes in
it, mounted so as to revolve in close proximity to a fixed wheel with
similar holes in it. If air be forced through the wheels, by reason
of the obliquity of the orifices in the movable wheel it is caused to
rotate. As it does so, the air is alternately interrupted and allowed
to pass, so that a series of very rapid puffs is produced. As the
air is forced in, the wheel turns faster and faster. The rapidity of
succession of the puffs increases so that the note produced by them
gradually increases in pitch till it rises to a sort of scream. For
steamers these “sirens” are worked by steam, and make a very loud noise.
Public-domain text, read in full here on John Shaqi.
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