POET.
A thing slipped idly from me.
Our poesy is as a gum which oozes
From whence ’tis nourished. The fire i’ th’ flint
Shows not till it be struck; our gentle flame
Provokes itself and, like the current, flies
Each bound it chases. What have you there?
PAINTER.
A picture, sir. When comes your book forth?
POET.
Upon the heels of my presentment, sir.
Let’s see your piece.
PAINTER.
’Tis a good piece.
POET.
So ’tis. This comes off well and excellent.
PAINTER.
Indifferent.
POET.
Admirable! How this grace
Speaks his own standing! What a mental power
This eye shoots forth! How big imagination
Moves in this lip! To th’ dumbness of the gesture
One might interpret.
PAINTER.
It is a pretty mocking of the life.
Here is a touch. Is’t good?
POET.
I’ll say of it,
It tutors nature. Artificial strife
Lives in these touches livelier than life.
Enter certain Senators, who pass over the stage.
PAINTER.
How this lord is followed!
POET.
The senators of Athens, happy men!
PAINTER.
Look, more!
POET.
You see this confluence, this great flood of visitors.
I have in this rough work shaped out a man
Whom this beneath world doth embrace and hug
With amplest entertainment. My free drift
Halts not particularly, but moves itself
In a wide sea of wax. No levelled malice
Infects one comma in the course I hold,
But flies an eagle flight, bold and forth on,
Leaving no tract behind.
PAINTER.
How shall I understand you?
POET.
I will unbolt to you.
You see how all conditions, how all minds,
As well of glib and slipp’ry creatures as
Of grave and austere quality, tender down
Their services to Lord Timon. His large fortune,
Upon his good and gracious nature hanging,
Subdues and properties to his love and tendance
All sorts of hearts; yea, from the glass-faced flatterer
To Apemantus, that few things loves better
Than to abhor himself; even he drops down
The knee before him and returns in peace
Most rich in Timon’s nod.
PAINTER.
I saw them speak together.
POET.
Sir, I have upon a high and pleasant hill
Feigned Fortune to be throned. The base o’ th’ mount
Is ranked with all deserts, all kind of natures
That labour on the bosom of this sphere
To propagate their states. Amongst them all
Whose eyes are on this sovereign lady fixed,
One do I personate of Lord Timon’s frame,
Whom Fortune with her ivory hand wafts to her,
Whose present grace to present slaves and servants
Translates his rivals.
PAINTER.
’Tis conceived to scope.
This throne, this Fortune, and this hill, methinks,
With one man beckoned from the rest below,
Bowing his head against the steepy mount
To climb his happiness, would be well expressed
In our condition.
POET.
Nay, sir, but hear me on.
All those which were his fellows but of late,
Some better than his value, on the moment
Follow his strides, his lobbies fill with tendance,
Rain sacrificial whisperings in his ear,
Make sacred even his stirrup, and through him
Drink the free air.
PAINTER.
Ay, marry, what of these?
Public-domain text, read in full here on John Shaqi.
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