Timothy's Quest: A Story for Anybody, Young or Old, Who Cares to Read ItWiggin, Kate Douglas Smith
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Timothy's Quest: A Story for Anybody, Young or Old, Who Cares to Read It
Wiggin, Kate Douglas Smith
Orphans -- Juvenile fiction
"Not a silver one on your door, like they have in the city; but isn't
that white marble piece in the yard a doorplate? It's got 'Martha
Cummins, aged 17,' on it. I thought may be in the country they had them
in their gardens; only I thought it was queer they put their ages on
them, because they'd have to be scratched out every little while,
wouldn't they?"
"My grief!" ejaculated Samantha; "for pity's sake, don't you know a
tombstun when you see it?"
"No; what is a tombstun?"
"Land sakes! what do you know, any way? Didn't you never see a graveyard
where folks is buried?"
"I never went to the graveyard, but I know where it is, and I know
about people's being buried. Flossy is going to be buried. And so the
white stone shows the places where the people are put, and tells their
names, does it? Why, it is a kind of a doorplate, after all, don't you
see? Who is Martha Cummins, aged 17?"
"She was Miss Vildy's sister, and she went to the city, and then come
home and died here, long years ago. Miss Vildy set great store by her,
and can't bear to have her name spoke; so remember what I say. Now, this
'Flossy' you tell me about (of all the fool names I ever hearn tell of,
that beats all,--sounds like a wax doll, with her clo'se sewed on!), was
she a young woman?"
"I don't know whether she was young or not," said Tim, in a puzzled
tone. "She had young yellow hair, and very young shiny teeth, white as
china; but her neck was crackled underneath, like Miss Vilda's;--it had
no kissing places in it like Gay's."
"Well, you stay here in the kitchen a spell now, 'n' don't let in that
rag-dog o' yourn till he stops scratching if he keeps it up till the
crack o' doom;--he's got to be learned better manners. Now, I'll go in
'n' talk to Miss Vildy. She may keep you over night, 'n' she may not; I
ain't noways sure. You started in wrong foot foremost."
SCENE VI.
_The White Farm. Evening._
TIMOTHY, LADY GAY, AND RAGS PROVE FAITHFUL TO EACH OTHER.
Samantha went into the sitting-room and told the whole story to Miss
Avilda; told it simply and plainly, for she was not given to arabesques
in language, and then waited for a response.
"Well, what do you advise doin'?" asked Miss Cummins nervously.
"I don't feel comp'tent to advise, Vilda; the house ain't mine, nor yet
the beds that's in it, nor the victuals in the butt'ry; but as a
professin' Christian and member of the Orthodox Church in good and
reg'lar standin' you can't turn 'em ou'doors when it's comin' on dark
and they ain't got no place to sleep."
"Plenty of good Orthodox folks turned their backs on Martha when she was
in trouble."
"There may be Orthodox hogs, for all I know," replied the blunt
Samantha, who frequently called spades shovels in her search after
absolute truth of statement, "but that ain't no reason why we should
copy after 'em 's I know of."
Public-domain text, read in full here on John Shaqi.
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