Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan lifeQuigg, Lemuel Ely
General
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life
Quigg, Lemuel Ely
New York (N.Y.) -- Social life and customs -- Fiction
The Brotherhood and Sisterhood of Animated Freaks was and is one of the
most important and distinguished of the labor organizations of New York.
Its membership is composed, as its name implies, of the ladies and
gentlemen actually engaged in the entertainment of the public by the
exhibition of their interesting bodies. Its purposes are to encourage
social pleasures among its members, and to protect them against the
encroachments of domineering managers. Such an organization was made
necessary by the continued aggressions of the managerial classes, who
were led by their unbridled greed to resort to all kinds of unjust
expedients whereby to grind down and trample under foot the poor and
needy Freak. This sort of foul injustice went on from year to year,
rendering the Freaks more and more dependent on the opulent and
tyrannical managers, until the wrongs resultant from it cried to heaven
for vengeance. At last, from the depths of their misery the Freaks arose
and with one masterful effort they threw off their base shackles and
declared themselves free.
It was truly a majestic movement. The Brotherhood was firmly established
in all parts of America and Great Britain, and it duly resolved that no
one should hereafter be a Freak, or be tolerated in the society of
Freaks, who was not a member of the Brotherhood in good standing. It
resolved that no manager should employ any one claiming to be a Freak
who was not thus rendered legitimate. It resolved to various purports,
and in phrases most solemn the majesty of the manhood and womanhood of
the freakly profession was vindicated.
The managers, of course, retaliated in kind. They organized a trust.
They classified the Freaks and rated them. The relations between labor
and capital engaged in the museum industry became thereby greatly
strained, but as yet no actual rupture had occurred. All hoped in the
public interest to avert such a catastrophe, but each side felt that a
fierce struggle was imminent.
Only some such incident as had been supplied in the enterprising stroke
of business accomplished by Tony Scollop was needed to fan the sparks of
resentment into a flame. The flame was already burning in the bosom of
Mr. Billy O'Fake, and when he and the dwarf reached the Brotherhood's
headquarters they were ready to perform the functions of a torch.
The Executive Council of the Brotherhood, District No. 6, F. I. M. X. T.
S. Z., was about to hold a meeting. The Council was composed of seven
eminent Freaks--Sim Boles, the Double-Jointed Wonder; Bony Perkins, the
Ossified Man; Duffer Leech, the Man with the Phenomenal Skull; Miss
Tilly Boles, the Beautiful Mermaid of the Southern Sea; Mrs. Smock, the
Bearded Circassian Beauty; Mr. Billy O'Fake, the Wild Man from Borneo,
and the President of the Brotherhood, Runty, the Dwarf. These ladies and
gentlemen were the leaders, nay, the fathers and mothers of the
organization, distinguished for their sagacity, resolution and prudence.
Public-domain text, read in full here on John Shaqi.
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