Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan lifeQuigg, Lemuel Ely
General
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life
Quigg, Lemuel Ely
New York (N.Y.) -- Social life and customs -- Fiction
"Capital!" cried Mr. Scollop in much excitement, ringing his bell
vigorously. "This is the best thing 'ats happened to me in ten years.
Hey, there, you, Dick! Rush around the corner an' get a canvas
painted--make it big--fifteen by twenty feet, and great big black and
red letters. Come now, be quick! Take down the words: 'Strike!' Make
each letter two feet long! 'Our Freaks Fight Grandmother Cruncher! They
Refuse To Exhibit Along With The Old Lady! Jealous Of Her Dazzling
Beauty! Manager Scollop Stands Firm! Says He Will Be Loyal To
Grandmother Cruncher Till The Heavens Fall! Not A Freak Left! But
Grandmother Cruncher Remains Nobly At Her Post! Thousands Shake Her By
The Hand! She Is Now Making A Speech To The Multitude! Hurry Up To Hear
Her Thrilling Words! Come One! Come All! Only Ten Cents!'
"There, got it down?" continued the Manager, breathlessly. "Got it all
down? Then rush off, Dick! By the great horn spoon! Was there ever such
a stroke of luck as this! Now, Runty, you fellows hurry up to your
headquarters, so's to be there when the reporters come. Tell 'em the
whole business. Tell 'em you'll never give in! Tell 'em it's a battle to
the death! I'll send up a couple o' kegs o' beer and a lot o' cigars. Be
lively, now."
Mr. Scollop sprang from his chair and ran upstairs in frantic haste to
give directions for rendering the exhibition-room as commodious as
possible, leaving Runty and his fellow-committeemen in quite a state of
mind.
"Vell!" said the dwarf, drawing a prolonged breath and elevating his
eyebrows with a curious expression of mingled surprise and dismay,
"'ere's vot I calls a go!"
Bony Perkins rubbed his ossified eyes with his ossified knuckles and
observed that it looked as if somebody was going to get fooled.
Mr. O'Fake arose majestically from his chair, and looked grimly at his
colleagues. "Gintlemen," he said, "he'll be talkin' in another tone
within a wake. Bedad, we'll tache him phwat he don't know. We'll send
out an appale fer foonds, an' we'll give him all the fight he wants."
Mr. O'Fake's hopeful tone was needed to brace up the drooping courage of
his friends. They immediately returned to the council and briefly
reported that their grievances had been ignored, and that the strike was
on and would be general. Orders were at once issued and forwarded to
every museum in New York directing all Freaks straightway to quit
exhibiting and appeals were issued to the public and to all labor
associations for financial aid. The headquarters were soon in a state of
commotion. Mr. Scollop's kegs of beer had arrived and aided greatly in
increasing the ardor of everybody's feelings. The Ossified Man
surrounded himself with the Fat Woman, Little Bow-Legs and the Chinese
Giant, and lectured them long and earnestly on the rights of labor and
the tyranny of class rule. Mr. O'Fake delivered a full score of
beautiful orations, and the entire Brotherhood agreed that its power
should be exerted to the last extreme.
Public-domain text, read in full here on John Shaqi.
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