Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan lifeQuigg, Lemuel Ely
General
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life
Quigg, Lemuel Ely
New York (N.Y.) -- Social life and customs -- Fiction
[Illustration: THE OSSIFIED MAN LECTURED LONG AND EARNESTLY.]
Meanwhile Mr. Scollop's museum was the scene of an even greater tumult.
The enormous "Strike!" placard had been posted and had produced an
immediate effect. Vast crowds of people, wild to see Grandmother
Cruncher, besieged the ticket-office and packed the exhibition-room,
where, upon the platform, elsewise deserted, stood that noble old lady
in all her pathetic beauty. Mr. Scollop, in a condition of rapture
scarcely possible of portrayal, stood all the afternoon in his private
office opening wine for the gentlemen of the press and giving them the
fullest information. He truly said he had nothing to conceal. He had
made an honest man's contract and he would stand by it till he dropped
in his tracks. He was not the man to desert a poor old woman in her
sorrow at the bidding of an irresponsible clique of labor bosses. The
Freaks did not want to strike, anyhow. They were nagged on to it by
their leaders, who were not genuine Freaks at all, but professional
agitators. Aside from his duty to Grandmother Cruncher, he was not going
to have his business run by outsiders--not if he knew himself! There
would be no abandonment of principle or position on his part, the public
might depend on it.
Mr. Scollop professed the deepest sorrow at the annoyance and vexation
to which the public was exposed by the unfair conduct of the strikers,
but he couldn't help it. It was not his fault. He knew he would have the
sympathy of all fair-minded people. He would do his best to satisfy his
patrons even under these trying circumstances. The museum was open now,
as the reporters could easily see, and would be kept open. Grandmother
Cruncher would exhibit and would be the great and permanent feature of
his show hereafter, Brotherhood or no Brotherhood!
Public-domain text, read in full here on John Shaqi.
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