Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan lifeQuigg, Lemuel Ely
General
Tin-types taken in the streets of New York : $b a series of stories and sketches portraying many singular phases of metropolitan life
Quigg, Lemuel Ely
New York (N.Y.) -- Social life and customs -- Fiction
These remarks, amplified and extended, appeared in the papers, together
with interviews with the strikers and many thrilling incidents of the
struggle. Public interest was aroused in the most general and intense
degree, and Mr. Scollop's cashier made daily trips to the bank with a
bushel-basket full of dimes. How long the contest would have continued
and what the final result would have been are problems too deep for me.
But at the end of the first week Grandmother Cruncher's rheumatism was
too much for her and she was compelled to retire. Short as was her
professional career, it gave her undying fame. In labor circles many
ugly rumors are floating about concerning the management of the strike.
It is broadly intimated that the whole thing was a "sell," and
significant remark is made upon the fact that Runty, the Dwarf, shortly
after the strike was ordered off, appeared upon the street scintillating
under a new diamond pin. One of the leading daily journals editorially
explained the matter by stating that the rheumatism story was a ruse,
that public interest in Grandmother Cruncher began to wane, and that
thereupon Manager Scollop "fixed the matter up" with the strikers. Tony,
however, declares that the Brotherhood gave in, while Runty says it is
stronger than ever and more than ever determined to protect the rights
of its members. Where the exact truth lies it is far from me to say, but
it may be pertinent to mention that Runty and Mr. O'Fake have started a
saloon in the Bowery.
THE END.
Public-domain text, read in full here on John Shaqi.
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